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Austin 360 Austin360 On The Record is a weekly roundup of new, recent and upcoming releases by local and Austin-associated recording artists. NEW RELEASES Graham Wilkinson, “Cuts So Deep.” The indie singer-songwriter’s first release since 2016’s “Because of You” features 11 songs he wrote across several years and recorded with engineer Patrick Herzfeld at Austin-area studio Signal Hill Recording. Herzfeld also contributed drums, keys, guitar, bass and backing vocals, with other participants in the sessions including guitarist Matt Gracy, bassist Morgan Patrick Thompson and the Shinyribs Tijuana Trainwreck horn section of Tiger Anaya (trumpet) and Mark Wilson (sax, flute). “Cuts So Deep” highlights Wilkinson’s songwriting talents with mostly folk-rock-based arrangements centered around his conversational vocal style. It’s not clear whether the title track was written before or during the pandemic, but its chorus “I miss seeing your smile ....
Art by Zeke Barbaro Not throwing an epic wing-ding after the dreadful and disillusioning last 12 months remains a bitter pill to pop. This community deserves one. That said, not having an in-person Austin Music Awards is a no-brainer. No tradition s worth risking the health of people we care about – not even a homegrown legacy show. So instead of orchestrating a diminished version of something we ve done for 38 consecutive years, the Chronicle decided on something totally different: bringing the AMAs to the winners. Emcee Kevin Curtin behind the wheel (Photo by David Brendan Hall) In an homage to the Publishers Clearing House Prize television commercials from decades ago, we transformed a 1995 Dodge band van into a “Winners Wagon” and surprised the top vote-getters of the 2020/2021 Austin Music Poll at their homes. ....
For the Man That Has Everything Now nearing its one-year anniversary, this pummeling EP unleashes all the pent-up energy we’ve accumulated while stalking around our homes for for the better part of a year. Scene veterans Noble Brown, Clarke Wilson, Jason Morales, Joey Cortez, and Ben Webster stay true to hardcore OGs in chaotic flashes like “This Can’t Be Right,” but the eight song, 10-minute release also manages to slow down. The stop-start rhythms in “Black Mercy” and “You’ve Been Warned” sludge thickly. Circle pits remain banned, but solo headbanging works well enough. Available as a digital download and vinyl. ....
Bandcamp In October, Austin s brooding balladeer Bill Callahan teamed with equally enigmatic auteur Bonnie Prince Billy to release a surprise cover of Cat Stevens Blackness of the Night, with arrangements by Drag City labelmate Azita Youssefi. The singles have continued weekly since, each a new cover and collaboration, ranging from pop busters (Steely Dan s Deacon Blues with Bill MacKay; Billie Eilish s Wish You Were Gay with Sean O Hagan) to more obscure (Johnnie Frierson s Miracles filtered through Ty Segall; Lowell George s I ve Been the One with Meg Baird). Amid Lou Reed s Rooftop Garden and Hank Williams Jr. s OD d in Denver, the duo also rolls out a deep Jerry Jeff Walker fascination with takes on Little Bird, Letter Sung to Friends, I Love You, and Night Rider s Lament. The arrangements spiral eclectic and provocative, hung across the balancing act of Callahan s low, methodical intonations and Oldham s creaking high lonesome. – ....
Austin Music Awards, held at the Moody Theater on March 11, turned out to be the final show I attended in 2020. That also proved the last time I dressed up with a tiny purse, saw those friends you only run into at shows, and went out on the patio to talk shit about Austin music. While the 40th annual Austin Music Poll can t account for such nuances, it addresses the ongoing pandemic head-on. Detailed last week in The Austin Music Poll Got COVID-19, (Music, Jan. 8), the ballot winnowed down to 20 categories and the Hall of Fame as spearheaded by the coronavirus-specific new categories including Best Livestreaming Artist, Best 2020-Themed Song, and Musician Who Went Above & Beyond. As evidenced by passionate emails for broadening the Best Online Series category, the Poll and the Austin Music Awards they bestow still mean a lot locally after four long decades. A body of 600 homegrown music professionals helped determine the multiple-choice nominees, now online at ....