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Safiuddin Ahmed May 20 marks the ninth death Safiuddin Ahmed, a prominent painter who was born in Kolkata in 1922. With Independence Award and Ekushey Padak under his belt, he has influenced art in the port-independence Bangladesh. Susmita Barua talks about his life works THE art and the artist cannot achieve any success without being immersed in the eternal creation. Art is a meditation, a monastic life this meaningful pursuit, creation, aesthetics, begins in the work of the artist Safiuddin Ahmed. He is the artist who has created a place of dignity in India and abroad. In his hunger for self-satisfaction, he went to work. As a modern and life-oriented painter, he has constantly worked on anthropomorphic transformations. Solitary, self-contained, not conventional, but undoubtedly fundamental are the characteristics of this artist. ....
On his centenary, a look at how injustice and suffering were constant themes in Somnath Hore’s works What I draw is the unfolding of my being which in my case is inscribed as ‘wounds’. Somnath Hore Draupadi is a lonely old woman. The world marvelled at her tribulations and moved on, the storytellers killed her off once her narrative had served its purpose. But she seems to have one friend left, as she sits on the ground, supporting her head, supporting a lifetime of pain, on a thin bronze arm. There is someone who is faithfully recording her exhaustion. ....
Art from under the shadow - Leisure News - Issue Date: Apr 26, 2021 indiatoday.in - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from indiatoday.in Daily Mail and Mail on Sunday newspapers.
Man, Artist, Wound: Somnath Hore as I Knew Him He never thought of his work as a finished product with commercial value . Nor did he have any sense of his own greatness. Somnath Hore. Photo: Wikimedia Commons Somnath Hore (1921-2006), one of the great multi-faceted artists of the 20th century, was remarkable for the consistency and intensity with which he explored human suffering via the techniques of sketching, printmaking and sculpture. Today is his 100th birth anniversary. Though I was not formally a student of Somnath Hore, from my early student years in Kala Bhavan I was given the precious gift of his lifelong affection. Back in the 1970s, I worked in a studio which was right below his own studio space, and our regular chats under the Bakul tree nearby revealed to me the profoundly emotional and extraordinarily empathetic man behind the now-legendary artist. ....
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