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Finding ways to play through the pandemic

Tim Daisy; Matt Piet at the Hungry Brain pre-COVID
Photos by Marek Lazarski and Morgan Ciesielski
The COVID-19 pandemic has put tens of millions of Americans out of work, but even considering that bleak landscape, musicians have been hit especially hard most of their jobs only barely exist now, and the infrastructure that might allow them to return someday is in danger of collapsing. Festivals have been canceled, larger concert halls closed, and smaller clubs either shuttered or restricted to fractions of their usual audiences. At least in the States, no one is touring. In Chicago, many of the venues that stage jazz and improvised music have either been streaming pay-what-you-will concerts or sitting dark since March. The disappearance of in-person performance opportunities hurts worse in this context, since the music thrives upon and in f ....

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The Year Live Music Stopped

The Year Live Music Stopped
Pitchfork
12/18/2020
© Graphic by Drew Litowitz
On a cold, cloudy day near the end of 2020, I start walking toward my favorite venue. It’s an empty storefront now, with a loving tribute affixed to the door: a white poster with a cartoon drawing of a tombstone. “Vaudeville Mews: 2002-2020,” the epitaph reads. “Born to lose/Lived to win.” Flowers and two empty cans of Pabst Blue Ribbon hang from the bottom.
I literally wouldn’t be here without this place. More than a decade ago, family ties and an affordable quality of life lured me and my wife back to the area she’d grown up in and expected to leave behind for good. But Vaudeville Mews, a 230-capacity space in downtown Des Moines that had already hosted Joanna Newsom, Bonnie “Prince” Billy, and an upstart Fall Out Boy, pretty much sealed the deal. Not just the venue itself, but the optimistic future it represented, one where a mid-size city better known for cornf ....

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