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Hibernia: The Language of Form | Irish America


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“Semi-abstraction is the area that I feel happiest in, not pure geometry or pure abstraction or pure figurative representations, but rather the area in between,” explains sculptor Bernadette O’Huiginn. “I’ve always been attracted to the line of beauty, a sinuous, serpentine line. The significance of the curved line is very meaningful; there is something very deep in the human heart that responds to the curve as opposed to the straight line.”
Birds on the Foam.
In discussing works that have influenced her sculpture, she cites the omnipresent curves and rhythms of the La Téne period of Celtic Art. The La Téne period, so named for the town in Switzerland where remnants of this particular group of Celts were first discovered, spanned the second and third centuries B.C., and represented a time when Celtic art was flourishing. These migrating Celts brought to Ireland their curvilinear representational forms that were united with the long-standing paga ....

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Gundestrup Cauldron


Gundestrup Cauldron
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The Gundestrup Cauldron is a gilded silver bowl found in Gundestrup in Denmark in 1891 CE. It was likely made in the Balkans, perhaps in the 1st century BCE, and shows a clear influence from Celtic art and mythology, even if other motifs seem to be Near Eastern. The relief panels on the cauldron show scenes of gods, animals, warriors, and sacrificial rituals, many of which continue to perplex historians as to their precise significance. The cauldron is one of the great examples of ancient European art and is now part of the collection of the National Museum of Denmark, Copenhagen. ....

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