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Top row: CODA, Courtesy of Sundance Institute; Summer of Soul (…Or, When The Revolution Could Not Be Televised), photo by Mass Distraction Media; Flee, courtesy of Sundance Institute. Bottom row: Hive, photo by Alexander Bloom; Writing With Fire, courtesy of Sundance Institute; Ma Belle, My Beauty, courtesy of Sundance Institute. Park City, UT After six days and 73 feature films, the 2021 Sundance Film Festival’s Awards Ceremony took place tonight, hosted by actor and comedian Patton Oswalt, with jurors presenting 24 prizes for feature filmmaking and seven for Short Films. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to ....
Posted on Wednesday, February 3rd, 2021 by Chris Evangelista Today, the Golden Globe nominations were announced, and the results were pretty bad! So perhaps we should try to cleanse our palates with the 2021 Sundance Film Festival awards. This year’s Sundance was virtual, and while that experience can’t hold a candle to being on the ground in Park City, the festival organizers deserver lots of credit for putting the fest together in any capacity and running it smoothly. While I found a lot of the films I saw this year to be lacking, there were still plenty of noteworthy titles. Lots of attention was paid to ....
How I Shot That: The Cameras and Cinematography Behind Sundance’s Documentary Films IndieWire 2/1/2021 When choosing cameras and lenses, nonfiction filmmakers are not only guided by the look, feel, and cinematic language they want to employ, but also by what their production demands and resources allow. Which is why in answering the question of why they picked the gear they used to shoot their Sundance nonfiction feature premieres, this year’s crop of cinematographers and directors also tell us how they shot their movies the challenges and choices, as well as their cinematic styles. More from IndieWire “Ailey” Lens: Canon CN-E Cine primes; CN-E30-105mm zoom & L-series lenses. ....
Homeroom An often powerful look at an unprecedented school year. TWITTER Peter Nicks documentary traces a year of institutional struggle and COVID-caused disruption in the Oakland public school system. Early in Peter Nicks Homeroom, the documentary announces itself as a chronicle of Oakland High School s 2019-2020 year. This activates an ominous metaphorical ticking clock. You don t need heavy-handed foreshadowing to know that the class of 2020 is the COVID Class, to realize that the prom the bright-faced teens are looking forward to will never happen, that the graduation they re aiming for will be virtual, that the production of In the Heights scheduled to open on March 20 is never going to see its curtain raised. ....
Save this story for later. When the Sundance Film Festival kicks off on January 28, 2021, in Park City, Utah, there won’t be a long line of people standing outside the Eccles Theater, watching their breath catch in the cold winter air and Main Street surely won’t be packed with revelers and sponsor activations, either. Instead, on account of the coronavirus pandemic, next year’s Sundance will actually expand amid the contraction of live events. Rather than relying solely on in-person experiences, the festival has plans that extend far beyond the theater: a digital platform where patrons around the world can watch this year’s lineup; drive-in screenings at venues around the country; in-person showings at independent art houses nationwide where indoor events can happen safely and in accordance with public health guidelines; and even a virtual reality space that includes live performances and a lobby where people can digitally congregate. ....