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BMI Celebrates Its Top Composers At The 37th Annual BMI Film, TV & Visual Media Awards
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BMI Celebrates Its Top Composers At The 37th Annual BMI Film, TV & Visual Media Awards
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Think of the NBA bubble, but with kitchens instead of courts.
Last September, Season 18 of Bravo s “Top Chef” (premiering Thursday, 8 EDT/PDT) sharpened its knives and began filming during the pandemic, keeping its original location of Portland, Oregon, and reimagining some of the kitchen standards that make the Emmy-winning competition show sizzle.
This season’s “cheftestants,” as Bravo calls them, include 15 executive chefs and restaurant owners. All involved quarantined ahead of production, including the crew, host Padma Lakshmi, head judge Tom Colicchio and Gail Simmons.
Lakshmi s preproduction bubble in Portland included her 11-year-old daughter, Krishna. During Colicchio s own lockdown, “I had my dog with me, so I went outside to walk her. And that was it,” says the judge, who stayed solo in an Airbnb. Both say they were tested every other day during the two-month taping.
Movie Review – The Marksman (2021)
SYNOPSIS:
A rancher on the Arizona border becomes the unlikely defender of a young Mexican boy desperately fleeing the cartel assassins who’ve pursued him into the U.S.
It didn’t take Liam Neeson long to backpedal on his 2017 claim that he was “retired” from action films, and while his most recent release
Honest Thief double-underlined the more absurd reality of a 68-year-old Neeson punching men half his age,
The Marksman proves that the actor’s age need not work against him when the material is a little more pragmatic.
To be clear, this western-tinged action thriller is no great work of cinema, but it spins enough watchability out of its
‘The Marksman’ Film Review: Liam Neeson Shoots Straight but the Script Is Scattershot
You’ve seen an armed, angry Neeson in countless films more interesting than this oneAlonso Duralde | January 12, 2021 @ 6:16 AM
Open Road
As surely as the ball drops in Times Square, the beginning of every new year always yields a new movie in which Liam Neeson is armed and wronged, which brings us to 2021 and “The Marksman.”
Granted, Neeson’s reign as an action hero of a certain age has yielded at least one genuinely worthwhile film (“The Grey”) alongside some delightfully trashy collaborations with director Jaume Collet-Serra (“Unknown,” “Non-Stop,” “Run All Night,” “The Commuter”). “The Marksman,” alas, plods along without any sense of vitality or absurdity; director and co-writer Robert Lorenz (“Trouble With the Curve”) has spent much of his career working almost exclusively with Clint Eastwood, so it’s not a stretch to surmise that this vehicle
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