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Review: St. Vincent Looks Through the Past Darkly on 'Daddy's Home'

Review: St. Vincent Looks Through the Past Darkly on 'Daddy's Home' ....

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Daddy's Home by St Vincent is a superb tribute to the dirty, sly heart of New York

Review
Daddy’s Home by St Vincent is a superb tribute to the dirty, sly heart of New York
4/5
Album number six by the US art-pop queen pays tribute to her own father and a wild cast of characters from a raucous 1970s dream
14 May 2021 • 5:00am
Daddy s Home is the sixth album by Annie Clark, whose stage name is St Vincent
Credit: Handout
Annie Clark is no saint. The 38-year-old American art-pop multi-instrumentalist took her stage name not in honour of a canonised paragon but in reference to the death of the dissolute Irish poet Brendan Behan in St Vincent’s Hospital in Dublin in 1964. Her sixth album, Daddy’s Home, conjures up a sleazy New York funk-rock street odyssey, sprawling with the kind of disreputable characters to whom Behan himself, a lover of New York, would have gladly raised a glass. ....

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St Vincent: Daddy's Home review – master of reinvention warps the sounds of the 70s | St Vincent

Playing with identity and touching on family matters, Annie Clark’s sixth album with wilfully twisted musical backing is hugely impressive ....

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St Vincent - Daddy's Home | Reviews

St Vincent - Daddy's Home | Reviews
diymag.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from diymag.com Daily Mail and Mail on Sunday newspapers.

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Album review: St. Vincent's Daddy's Home lands square in the '70s

Photo: Zackery Michael
There’s a self-conscious artifice that needs to be embraced in order to fully enter the world of St. Vincent’s dark and compelling new album,
Daddy’s Home. In and of itself, this isn’t necessarily anything new: Annie Clark, the multi-hyphenated artist now six albums deep into her career under the St. Vincent moniker, has always had a chameleonic muse, adopting different personas and perspectives in her songwriting, most recently with the high-gloss, electronic-infused pop of 2017’s
Masseduction, where she sometimes sounded as though she were broadcasting from a near-future dystopia. But with this latest record, she’s gone the opposite direction, back into the past, to conjure a vision of a time she’s only known through music and stories the early ’70s in New York City. It’s a meticulous musical diorama, replete with striking figures and colorful, lurid narratives that blend reality and fiction, to engrossing effect. If ....

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