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President of France s National Film Board Held in Custody, Sued for Sexual Assault by Godson Elsa Keslassy, provided by FacebookTwitterEmail Dominique Boutonnat, president of France’s powerful National Film Board (CNC), is being sued for attempted rape and sexual assault by his 22-year-old godson. He has been held in custody since Wednesday morning. The news was first reported by news channel BFM TV. The complaint was filed by Boutonnat’s godson on Oct. 7 and the alleged sexual assault occurred in August during a holiday in Greece. More from Variety “Dominique Boutonnat contests having committed any wrongdoing, he is fully serene about the outcome of this procedure,” Boutonnat’s lawyer Emmanuel Marsigny told the AFP. The Nanterre prosecutor told Le Figaro newspaper that Boutonnat’s custody could end on Thursday or Friday. ....
Cruel Femsub Degradation The following categories are included in this video: lesbian domination, toilet h miliation fantasy (yellow), spit degradation, hardcore verbal degradation, extreme domination, dehumanization, and consensual non-consensual (CNC) fantasy. This video uses female-gendered pronouns (she, her, woman) and assumes you have a vagina. You might be able to fool the world with your feminist jargon, but you can t fool the Alpha women. I know that you re nothing more than a pig with fuck holes, and I dream about destroying your body, ego, and mind. Play Time 00:04:16.28 Resolution HD 1080p ....
Flee Review: Doc Explores the Layers of Truth in Afghan Refugee s Survival Story Flee Review: Doc Explores the Layers of Truth in Afghan Refugee s Survival Story Animation proves an ideal medium by which to both mask and reveal the identity of a gay man who escaped Afghanistan and reinvented himself. Peter Debruge, provided by FacebookTwitterEmail Courtesy of Cinephil Amin Nawabi is not the real name of the Afghan refugee introduced in the Sundance movie “Flee,” nor is that his real face, which has been distorted by animation to protect his identity. As “Flee” unfolds, you may also start to question whether the story Amin shares is even real, doubling back and contradicting itself as it does over the course of director Jonas Poher Rasmussen’s unconventional portrait. ....