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The Paris Review - Someone Else's Diary - The Paris Review


Illustration: Elisabeth Boehm. Public domain, via Wikimedia Commons.
Aunt Galya, my father’s sister, died. She was just over eighty. We hadn’t been close—there was an uneasiness between the families and a history of perceived snubs. My parents had what you might call troubled dealings with Aunt Galya, and we almost never saw her. As a result I had little chance to form my own relationship with her. We met infrequently, we had the odd phone call, but toward the end she unplugged her phone, saying, “I don’t want to talk to anyone.” Then she disappeared entirely into the world she had built for herself: layered strata of possessions, objects, and trinkets in the cave of her tiny apartment. ....

Belgorodskaya Oblast , France General , Bryanskaya Oblast , Pskovskaya Oblast , Nizhegorodskaya Oblast , Wikimedia Commons , Elisabeth Boehm , Marie Bashkirtseff , Sarra Ginzburg , Augusta Gethling , Banny Pereulok , Susan Sontag , Maria Fufayeva , Fyodor Sologub , Sasha Dugdale , Valya Orfanova , Janet Malcolm , Jew Ginzburg , Library Of Poets , Aunt Galya , Complete Works , The Silent Woman , Social Services , Nizhny Novgorod , Great Good News Herald , Solomon Ginzburg ,

The best books to understand contemporary Russia


Out in translation this week, Stepanova’s tour de force blends memoir, literary criticism, essay and fiction. Although this is a personal and intimate work using photographs, postcards and diaries, it succeeds in mining a universal theme in contemporary Russian cultural life: how does a family – or a country – process the events of the past 100 years? Author of 10 volumes of poetry, Stepanova is the founder and editor-in-chief of independent online crowd-sourced journal colta.ru which reaches a million readers a month.
(And Other Stories, translated by Andrew Bromfield)
Published in Russia in 2010 (and in translation in 2012), this is a rare novel about post-perestroika Moscow. (Most contemporary Russian novelists set their work in the recent or distant past, not in the present day.) Described as “Russia’s answer to Murakami”, Zaionchkovsky analyses the fate of an introspective writer who can’t finish the book he’s writing because he is feeling “newly or ....

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