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AmericanaFest During Covid: How Nashville Festival Is Staying Safe rollingstone.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rollingstone.com Daily Mail and Mail on Sunday newspapers.
London indie outfit This Is The Deep make wonderfully eccentric but catchy music. The Best is Yet to Come (Part 1) is a mini-album that plays at 45 RPM, whose eight songs mingle quirky post-punk dub-funk with something altogether poppier and frothier. They are unafraid of utilising quirky sound effects and stylings that, in others hands, might lead to a kitsch novelty factor, but in theirs the results range from outright pop to the skronk-punk-jazz abstraction of “Eyes on You” to a weird slowie to vaguely Talking Head-ish moments to the cinematic exotica of the title cut. Uncategorizable and brilliant, keep your eyes and ears attuned for more from on this lot. ....
Share 62% of teens said they missed the cinema the most out of all the entertainment activities stopped in lockdown, more so than going to a cafe or restaurant (18%), going to a gig or concert (14%) or visiting a theme park (4%) 92% of teens say they are planning on returning to the cinema once they open and nine in ten (88%) said they felt safe heading back to the cinema Eight in ten (82%) teens think it’s important for films to have age ratings, to help protect younger children (57%), so they know what a film contains (47%), and so they can make informed decisions (37%) Teens are most looking forward to watching ....
A four-disc set looks back on the brief, fertile period in which the British band twisted conventional rock instrumentation into increasingly arcane shapes. They still inhabit a class of their own. ....
A compilation of Seefeel s mid-90s work on Warp proves irresistibly crystalline for David McKenna “We took a lot of flak when we joined Warp, just for the fact that we used guitars,” Mark Clifford tells Jeanette Leech in her book Fearless – The Making of Post Rock. Inspired by Cocteau Twins, My Bloody Valentine, and Sonic Youth, but also dub, Seefeel had been one of the first UK groups to earn the term ‘post-rock’ minted in 1994 by journalist Simon Reynolds. The common thread Reynolds found connecting groups as disparate as Bark Pyschosis, Pram, Scorn, Main, Laika, Insides, and Seefeel was that they were “using rock instrumentation for non-rock purposes, using guitars as facilitators of textures and timbres rather than riffs and powerchords.” The corollary to this was, to varying degrees, the integration of samplers and approaches drawn from techno, hip hop, and dub. On this site, Ben Cardew also placed them in an electronic shoegaze micro-bracket together w ....