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My Octopus Teacher Is Having Moment in the Sun, but More African Documentaries Are Rising to the Surface

My Octopus Teacher Is Having Moment in the Sun, but More African Documentaries Are Rising to the Surface
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Realscreen » Archive » Hot Docs-Blue Ice Fund unveil eight recipients, renewed support for African docs

Hot Docs-Blue Ice Fund unveil eight recipients, renewed support for African docs Hot Docs Canadian International Documentary Festival and Blue Ice Docs have revealed the eight African film projects chosen to receive CA$120,000 in development and production grants from the Hot Docs-Blue . April 7, 2021 Hot Docs Canadian International Documentary Festival and Blue Ice Docs have revealed the eight African film projects chosen to receive CA$120,000 in development and production grants from the Hot Docs-Blue Ice Docs Fund. The projects were selected from 83 submissions from 24 different African countries. A total of four projects will receive development grants and four will receive production grants.

Burkina fasoDemocratic republic of the congoUnited statesSouth africaCity ofUnited kingdomCongo riverCongo generalLibya generalCentral african republicCape verdeKhalid shamisAlexis taillantErige sehiriAsmae el moudirEmilie dudognon

Events Calendar March 9-13

Events Calendar March 9-13 Uninsured and BIPOC folks are prioritized for free flu shots and COVID-19 testing. You have to call in advance to schedule. Walking, driving and biking are all permitted. The Annual Cascade Festival of African Films which, naturally, will be migrating entirely to the internet this year features African films by African filmmakers. Among the films showcased this year are Sam Soko’s Softie and 12 midnight “Mimaw and her friends Paolo, Kachi and Gilligan go on a journey of self-discovery together as they play games and wrestle with new dilemmas – puppy love, circumcision, and other horror stories. Set in ’90s Manila, Philippines, the story takes us into the colorful pop-culture world of these four 13-year old friends, back in the days when video games were still a novelty.”

United statesIshimoto yasuhiroHanga kyInterbay cinema societyWomen print associationSchool of filmPortland state university sonic artsFilm center whitsell auditoriumFilm forumPortland art museumAnnual cascade festivalAfrican filmSam sokoWill dieFilm centerWhitsell auditorium

Durban FilmMart 12th edition seizes July dates for grand finale

The East African Thursday March 04 2021 Summary Fifteen feature-length documentary and 15 fiction projects will be selected by a DFM independent adjudication committee for the pitching forum, where the director and producer will participate in a packaging and mentorship programme. This will be followed by one-on-one meetings with international film financiers, buyers, and distributors. Advertisement The 12th Durban FilmMart (DFM) takes place virtually from July 16 to 25 after its call for submissions of film projects in development closed February 21. “Given there is no absolute clarity on what the global situation will be with the Covid-19 pandemic in the foreseeable future, the DFM Institute board has taken a decision to implement a virtual DFM for 2021 following on the success of the 2020 DFM,” said Magdalene Reddy, acting general manager of the Durban FilmMart Institute.

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Events Calendar March 3-5 - Vanguard

Events Calendar March 3-5 Can’t Hardly Wait and Josie and the Pussycats. From the press release: “1998’s all-star teen comedy Can’t Hardly Wait captured the spirit of a generation at the edge of the millennium while establishing the voices of filmmakers Deborah Kaplan & Harry Elfont; in 2001, their adaptation of Josie and the Pussycats and a villainous Parker Posey in braces offered a prophetic satire of the music and film industries and went on to become a cult legend. For this special ‘Extra Credit’ offering from Movie Madness University Online, join Hollywood Theatre Community Programmer Anthony Hudson for an interview with the writing/directing duo, covering everything from their iconic films and ensemble casts to collaborative filmmaking, The Flintstones, and the cultural impact of introducing Jan Brady to George Glass in their script for A Very Brady Sequel.”

United statesParker poseyFred hampton daniel kaluuyaDeborah kaplan harry elfontDeborah johnson dominique fishbackIshimoto yasuhiroWilliam oneal lakeith stanfieldHanga kyRoy mitchell jesse plemonsMovie madness university onlineWomen print associationIllinois black panther partyHollywood theatre community programmer anthony hudsonFilm center whitsell auditoriumPortland art museumCant hardly wait