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'Dickinson' Came to a Delicious Climax In Season Two Finale

Apple+'s 'Dickinson' delivered one of the best queer finales on television. ....

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Dickinson: Season Two Has Fun Taking Poetic License With Its Historical Setting – SLUG Magazine

If you like period costume dramas, then
Dickinson, which streams on AppleTV+, might be just the show for you but it’s certainly not the one you’re expecting it to be. This Peabody and GLAAD Media award-winning series, created by
Alena Smith, follows the life and times of the great American poet
Emily Dickinson, as portrayed by
Hailee Steinfeld. While it’s set in the 1850s, it looks at the time through a distinctly modern lens, from deliberately and hilariously anachronistic dialogue and music to progressive sensibilities. In light of Season 2’s finale, three major cast members
Toby Huss, ....

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How 'Dickinson' Hit Its Stride in Season 2 - Laredo Morning Times

How Dickinson Season 2 Captures the Voices of Its Passionate Women
Caroline Framke, provided by
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Apple TV Plus
Remember what it was like to be a teenager, pent up with so much pulsing emotion it felt like it might come gushing forth from your guts at any given moment? Or, then, a twentysomething trying to embrace adulthood without losing your every scrap of raw nerve? “Dickinson” does, with the kind of visceral urgency that’s harder to portray than meets the eye.
The series, now in its second season on Apple TV Plus, casts Hailee Steinfeld as Emily Dickinson, the legendary poet who until recently was as well known for being a recluse as she was for being a writer. “Dickinson” acknowledges her reputation even as it dismantles it. The show’s Dickinson is Emily, a flesh and blood teenage girl brimming over with more feelings than she can process, first. In the first season, “Dickinson” was promising in much the same way as te ....

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'Dickinson' Season 2: TV Review | Hollywood Reporter

1/8/2021
Hailee Steinfeld returns as the celebrated poetess in Apple TV+ s arch multi-hyphenate series.
Dickinson is a study of genius. Not necessarily the individual genius of its protagonist, virtuosa poet Emily Dickinson, but the cultural constructs of genius and all the jubilation and despair associated with possessing that kind of talent. The magical realist antebellum dramedy speckles its story with Dickinson s writing, of course artful chyrons here, lyrical recitations there but
Dickinson is more interested in grappling with young Emily s process than her output.
Throughout the first and second seasons, she encounters a number of eminent artists, such as Louisa May Alcott (Zosia Mamet) and landscape architect Frederick Law Olmsted (Timothy Simons), who briefly mentor her, sharing trade wisdom or warning her of the dysphoria of fame. They can only do so much: Emily may not always feel in control of the words that pulse through her, but it is ultimately ....

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The Era of Gossip Isn't Over

The Grapevine Looks a Little Different Today
Shirley Li
Bridgerton
In the Netflix series
Bridgerton, everyone reads the pamphlets written by the pseudonymous “Lady Whistledown,” Regency England’s answer to Gossip Girl. Each issue targets the wealthiest and most powerful residents of London in 1813, revealing something new about the city’s high-society ecosystem. Voiced by Julie Andrews, Lady Whistledown takes distinct pleasure in exposing or even just threatening to expose a scandal or two. And though she sometimes offers little more than a rundown of which couples danced together at the most recent ball, what she chooses to share can make or break a household’s status. ....

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