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In Colombia, companies expedite vaccine rollout with private funds
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In Colombia, companies expedite vaccine rollout with private funds
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VANCOUVER Just a few months ago, Alexis MacKay-Dunn said it was hard to visualize her life in the future. “I couldn’t imagine my kids growing up, because I just didn’t know,” she said tearfully. At the time, the mother of two young children was waiting and hoping that a living kidney donor could be found for her. She had been diagnosed with chronic kidney disease in 2018 due to an autoimmune disorder with no known cause. Shortly after her daughter’s birth in 2019, she went into acute kidney failure. In April, she began dialysis. “That was three days a week, four hours at a time, plus travel time, so it cut into a large part of my week away from the kids,” she said. “I did that for two months, which in the scheme of things (for) kidney patients, is nothing. I’m very fortunate.”
Exhibition aims to awaken public consciousness to the realities of environmental destruction
Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler.
VIENNA
.- And if I devoted my life to one of its feathers? writes the Chilean poet, artist and activist Cecilia Vicuña in an untitled poem from the late 1960s, early 1970s. With this question Vicuña counters anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and nonhuman entities and worlds.
The exhibition And if I devoted my life to one of its feathers?, curated by Miguel A. López, revolves around this very vision of interconnectivity that Vicuña portrays in her poem by bringing together artists whose practices engage in the struggle for collective survival and the processes involved in restoring disrupted social bonds. Indigenous epistemologies are understood as central in
Magistrado del CNE que pidió sancionar a Petro recibió amenazas
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