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Cross Country Sweeps Titles at LSU Invitational lsusports.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lsusports.net Daily Mail and Mail on Sunday newspapers.
Exciting TV dramas coming in 2021 prima.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from prima.co.uk Daily Mail and Mail on Sunday newspapers.
The Pursuit of Love (BBC One) | iPlayer Three Families (BBC One) | iPlayer The Underground Railroad (Amazon) Motherland (BBC Two) | iPlayer Sunday nights do appear to be dear to BBC schedulers: it’s the jewel in the weekly crown, and it’s just a shame that, correspondingly, there has to be a gangrenous thorn in the hoof, which throughout lockdown has been Saturday evenings. But right after THAT Line of Duty, to get the blistering, gleeful watch that is The Pursuit of Love … that’s the sign of a planner pulling out the heavy stops on the organ. It really is, in the language of Nancy Mitford, most awfully well done. Emily Mortimer’s adaptation manages to tell the bones of the story afresh, with spiffy modern renewals, while remaining immensely tender to the paradox at the heart of Linda, a tween-the-wars rosebud with everything in the world except education or any idea of what she, ever, wants, or stands for: truly writ large the Mitfordian cr ....
Rating: No words in any drama could be more chilling than the comment by a nurse to a mum-to-be during an ultrasound scan: ‘There are a few wee things I’m not happy about.’ Those ‘few wee things’ were a death sentence for the unborn baby of first-time parents Hannah and Jonathan (Amy James-Kelly and Colin Morgan), in Three Families (BBC1). This was a true-life story, set in Belfast, about six years ago. The pregnancy was 20 weeks along before the fatal foetal abnormality was spotted, a condition where the baby’s lungs had no room to grow. If she was not stillborn, she would suffocate within hours of birth a horrific prognosis. ....
“It is the mark of a good drama that hours after you have watched it you realise that you still feel angry. Three Families was one such example. Abortion is not a subject that is easy to dramatise and initially I feared that Gwyneth Hughes’s drama was settling into cliché. However, once the groundwork was done, it took off with strong, intelligent performance.” “By virtue of its content, this could not have been other than an emotive drama. But its potential power was vastly attenuated by an underpowered, unevocative script that never allowed it to transcend the box-ticking aspect or develop the characters much beyond ciphers.” ....