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Riders Against the Storm Hit Their Stride With Flowers for the Living


We are Austin music, repeats Jonathan Chaka Mahone.
He states those words emphatically in reference to not only his own musical endeavors, but the unappreciated depth of Black talent in the Texas capital.
Putting the Black and brown face on music is what they should be doing, he continues. Get out of the way. Stop acting like we re still in the Willie Nelson and Stevie Ray Vaughan days. The symbol of [Austin] music is still a guitar. That day is over!
His passion transcends virtual confines necessitated by the coronavirus pandemic. After 11-plus years of hustling alongside his wife, Ghislaine Qi Dada Jean, the hyperactive social justice advocate earned the right to voice his opinion in unadulterated terms. The two unite as Riders Against the Storm, a hip-hop duo focused on uplifting its community in lieu of promoting dysfunction for album sales. ....

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New Austin Music Worth Your Bandwidth This Week


Bandcamp
Alongside Austin s Dicks and Big Boys, Houston s Really Red proved as integral to early-Eighties American punk
culture as Black Flag or Dead Kennedys. Lasting 1978-85, the aggregation of singer/frontman Ronnie U-Ron Bondage Bond, drummer Bob Weber, guitarist Kelly Younger, and bassist John Paul Williams rarely followed regulation punk templates. Old enough to recall Texas psychedelia on ramalama like Crowd Control, their trace elements of art-damaged funk and blues seeped into – from 1981 onward – the band s ballistic thrashing à la Bad Brains on tracks such as I Was
a Teenage Fuckup.
Meanwhile, Bond s lyrics engage race, sexuality, police brutality, and resistance to authoritarianism. ....

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