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Screen Grabs: Recalling that very oddball cinematic year, 1971


Willy Wonka & The Chocolate Factory and entirely-forgotten Disney comedy
The Million Dollar Duck. But other new arrivals suggested Hollywood’s confusion over just what audiences wanted at a point when strict old censorship rules had only recently collapsed (the G-to-X MPAA ratings system was just a couple years old), and the major studios were in a panic. Was
Easy Rider the new model for commercial success? Or
Airport? Hewing to something like the conservative latter model were a flop combat movie,
Murphy’s War, and tea-cosy horror
What’s the Matter With Helen?, a last gasp of the “scary old broads” trend that had commenced with ....

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Long time coming: A highlight of local Juneteenth celebrations, Owens Daniels' exhibition remains on view at the Milton Rhodes Center | Arts & Theatre


TOM PATTERSON
Special Correspondent
Studio portraiture, street photography, content-charged texts and digital technology make for a potent combination in the work of Owens Daniels.
Daniels has been producing powerful, text-augmented photographic pieces for several years. Recently he has compiled a strong body of work documenting local street protests. Prolific and persistent, he has exhibited his work in a number of local shows.
His art emphasizes African American culture and identity, so it’s fitting that it was highlighted in this month’s local celebration of Juneteenth, marking the anniversary of slavery’s end in the United States in 1965.
Daniels’ exhibition “When the Revolution Comes” opened in mid-June at Milton Rhodes Center for the Arts. It brings together selected pieces from at least four bodies of work, including several images he has shown locally within the past two years. These range from proud portraits o ....

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