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In his 1974 essay The Apartment (published in Species of Spaces), author Georges Perec imagined a typical late twentieth-century apartment in Paris, and the various ways in which its rooms were inhabited (and corresponding rituals were performed) over the course of a working day: at various times the protagonists of the family (mother, father, child) occupy rooms singly (bathroom, kitchen) and collectively (sitting room, dining room). Essentially a literary exercise on the mundane, the text nonetheless deliberates on the adaptable functions of, and relationships between, discrete domestic spaces in an effort to counter the ‘very precise ideas’ routinely imposed by architects, builders and urban planners. ....

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