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'Minari' and the Invisible Stars of Asian-Led Movies

Only when he began editing
Minari did the writer-director Lee Isaac Chung see exactly how much his cast had done for the story. The film, about a Korean American family starting a farm in 1980s Arkansas, was inspired by his childhood, but Chung told his actors he didn’t want them imitating anyone he knew. So instead, they brought their own interpretations to the characters and made Chung’s tale theirs, too. “It’s easy when you have these actors, and every take is good,” he told me over Zoom last month, chuckling. “You have nothing bad to work with.” ....

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Minari's Profound Visual Melancholia

The Atlantic
Lee Isaac Chung’s
David Bornfriend / A24
Having moved from the teeming cityscape of Taipei to the rural American South in the 1970s as a preteen, I know something of the shock, at once awe-inspiring and estranging, of that first sight of the great American landscape just sheer land that seems to stretch on forever. Watching
Minari, the new semi-autobiographical film from Lee Isaac Chung about a Korean-American family newly arrived in the heartlands of 1980s Arkansas, I remember again that uncanny sense of feeling at once free and lost.
From the get-go, there are hints of how tenuous this new beginning is for the Yi family. The father, Jacob Yi (played by Steven Yeun), has moved his entire family, in spite of his wife’s doubts and objections, across the country from California in order to chase his hopes of building a family farm. (“Five acres is a hobby … but my dream is 50 acres.”) But fragility touches every early frame from the await ....

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'Minari' Offers a Visual Anatomy of the American Dream

Lee Isaac Chung’s <em>Minari</em> is filled with symbols of abundance that are also residues of prosaic commercialism. ....

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MINARI Is a Poignant Portrayal of a Family's Journey

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Minari tells the story of the Yi family, who move to Arkansas to start a farm in pursuit of their American dream. The film follows their struggles with nature, work, and what it means to be Korean-American. (That last discussion moves outside the film, as evidenced by debates online regarding whether
Minari should be categorized as a foreign film for award nominations.) Written and directed by Lee Isaac Chung, the film illustrates the general in the specific. The film’s characters explore various subjects throughout; the challenges of building a new farm, of cultural and age differences, and of what the American Dream and family look like. ....

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