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Out of office: how the pandemic is rewriting the workplace novel


Sat 15 May 2021 04.00 EDT
What has become of the office? Its small, mundane daily rituals, its smells – of over-boiled coffee, synthetic fabrics, other people’s perfume – the low hum of phone conversations and the whirring of the printer. To those of us who are still working from home, it feels like a faraway place, a half-forgotten memory, and to those who have returned it is utterly transformed: masked, distanced, hushed.
It’s a strange time to be appraising the workplace novel. Will things return to how they were before, or will we look back on our time of working long, gruelling hours in the office with relief, or even nostalgia? I wonder if books set in offices will make us wistful about some aspects of pre-pandemic life or if, instead, these narratives will act as a warning against returning to a working culture that felt, to many of us, unreliable and unstable. ....

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Longlist revealed for £10,000 Desmond Elliott Prize


(Ryan Phillips/PA)
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Andy Charman, Rebecca Watson and Paul Mendez are among the authors who have been included on the longlist for the £10,000 Desmond Elliott Prize.
Named after the literary agent and publisher Desmond Elliott, the annual prize goes to a first novel written in English and published in the UK.
Charman’s Crow Court, Watson’s Little Scratch and Mendez’s Rainbow Milk are included on the longlist.
(Ryan Phillips/PA)
The Manningtree Witches by AK Blakemore, Naoise Dolan’s Exciting Times, How We Are Translated by Jessica Gaitan Johannesson and JA Mensah’s Castles From Cobwebs have also been included. ....

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