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Mississippi Boweavil Blues Down the Dirt Road Blues Pony Blues Pea Vine Blues Prayer of Death, Pt. 1 - Charley Patton, Traditional Prayer of Death, Pt. 2 - Charley Patton, Traditional Lord, I m Discouraged Elder Greene Blues - Charley Patton, Patton Circle Round the Moon Mean Black Cat Blues
Some These Days I ll Be Gone Green River Blues Magnolia Blues Heart Like Railroad Steel Jim Lee Blues, Pt. 1 Kim Lee Blues, Pt. 2 - Charley Patton, High Water Everywhere, Pt. 1 High Water Everywhere, Pt. 2 Jesue Is a Dying-Bed Maker - Charley Patton, I Shall Not Be Moved - Charley Patton, Parth, Johnny ....
by Johnny Punish So recently, my poetic son wrote and shared some new amazing lyrics with me, To me, they rang of oppression, racism, and poverty. I said, “hey let me put those words into music”. As I developed the song, it started to become clear to me that was about a forgotten man; you know, that man who lived during the Depression Era of the 1930s? That forgotten man, a returned World War I Veteran who was down and out on his luck, was expressed like no other in the classic film Goldiggers of 1933 whereby the last scene is called “Remember My Forgotten Man” sung by Joan Blondell and Etta Moten. This song turns that movie into an unforgettable everlasting homage to the reality of that terrible poverty-stricken era in America; a classic that should be on your list of 100 movies to see before you die. So if you have NOT seen this movie, go watch it. It’s amazing! Anyways…. ....
Elmore James – Crossroads (1996) 1 Dust My Broom 2:54 2 Look On Yonder Wall 2:28 3 Mean Mistreatin Mama 2:38 4 Fine Little Mama 2:31 5 Got To Move 2:42 6 Rollin And Tumblin 2:28 7 Coming Home 2:24 8 It Hurts Me Too 3:17 9 Standing At The Crossroads 2:53 10 Every Day I Have The Blues 3:16 11 I Done Somebody Wrong 2:17 12 Pickin The Blues 2:39 13 Anna Lee 2:50 14 Sunnyland Train 2:14 15 One Way Out 2:21 16 The Sky Is Crying 2:45
Elmore James is known as the “King of the Slide Guitar.” He was inspired by the local performances of Robert Johnson to take up the guitar. It was, in fact, a number by Johnson ( Dust My Broom ) that became James’ signature song and laid the foundation for his recording career. First cut by James in August 1951, “Dust My Broom” contains the strongest example of his stylistic ....