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Frist Art Museum Presents Designing the New: Charles Rennie Mackintosh and the Glasgow Style


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NASHVILLE, Tenn., April 14, 2021 /PRNewswire/ The Frist Art Museum presents
Designing the New: Charles Rennie Mackintosh and the Glasgow Style, an immersive exhibition that showcases Charles Rennie Mackintosh the greatest exponent of the Glasgow Style as an architect, designer, and artist, and contextualizes his production within a larger circle of designers and craftspeople in Scotland s largest city. Co-organized by Glasgow Museums and the American Federation of Arts, the exhibition will be on view in the Frist s Ingram Gallery from June 11 through September 12, 2021.
Margaret Macdonald Mackintosh. The May Queen (detail), 1900. Made for the Ladies’ Luncheon Room, Miss Cranston’s Ingram Street Tearooms, Glasgow. Gesso on burlap (hessian) over a wood frame, scrim, twine, glass beads, thread, and tin leaf, 62 1/2 x 179 7/8 in. overall. Glasgow Museums: Acquired by Glasgow Corporation as part of the Ingram Street Tearooms, 1950. © CSG CIC Glas ....

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DESIGNING THE NEW: CHARLES RENNIE MACKINTOSH AND THE GLASGOW STYLE to be Presented at The Frist Art Museum


The Frist Art Museum will present Designing the New: Charles Rennie Mackintosh and the Glasgow Style, an immersive exhibition that showcases Charles Rennie Mackintosh-the greatest exponent of the Glasgow Style-as an architect, designer, and artist, and contextualizes his production within a larger circle of designers and craftspeople in Scotland s largest city. Co-organized by Glasgow Museums and the American Federation of Arts, the exhibition will be on view in the Frist s Ingram Gallery from June 11 through September 12, 2021.
At the end of the 19th century, the Glasgow Style emerged as the major manifestation of Art Nouveau in Britain. Combining influences from the Arts and Crafts movement, Celtic Revival, and Japonism, Glasgow artists created their own modern design aesthetic, synonymous with sleek lines and emphatic geometries expressed in a wide range of materials. ....

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