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After Tragedy, an Indianapolis Theater Stages a Comeback


After Tragedy, an Indianapolis Theater Stages a Comeback
Bryan Fonseca, the founder of a notable company, died of complications from Covid-19. But at the theater named for him, the show goes on.
Latrice Young in the premiere of “Apologies to Lorraine Hansberry (You Too August Wilson)” at the Fonseca Theater Company in Indianapolis.Credit.Maddie McGarvey for The New York Times
May 24, 2021
INDIANAPOLIS On a breezy, 80-degree evening, the sun still in the sky, the actor Chandra Lynch walked to the center of the Fonseca Theater Company’s outdoor stage-in-the-round. At her back was a semicircle of oversized blocks, each with printed words that together formed the sentence “Blackness iz not a monolith.” ....

New York , United States , Josiah Mccruiston , Terrence Mcnally , Aniqua Chatman , Seth Rozin , Maddie Mcgarvey , Tearrance Arvelle Chisholm , Chandra Lynch , Bryan Fonseca , Quiara Alegria Hudes , Fernanda Coppel , August Wilson , Chinyelu Mwaafrika , Carla Ching , Flores Schwartz , Latrice Young , Indiana University , New York Times , Theater For The Community , University Of Oregon , Fonseca Theater Company , Fonseca Theater , Rachel Lynett , Lorraine Hansberry , Too August Wilson ,

Yale Drama Prize-winning author Rachel Lynett explains their theater company's 'laugh first' ethos, what it means to write 'historical heresy' and why all their plays are love stories


Rachel Lynett
Kat Wilson
If you’ve heard University of Arkansas-educated playwright
Rachel Lynett’s name this year, it might be because their play “Apologies to Lorraine Hansberry (You Too August Wilson)” is the winner of the 2021 Yale Drama Prize, selected this year by Pulitzer Prize-winning playwright Paula Vogel. The premise: a fictional world of “a post-second Civil War” in which an all-Black utopian state called Bronx Bay is established in order to protect “Blackness,” and which introduces questions about whether the newly arrived Yael, who is Dominican, can stay. “With a metatheatrical playfulness and a direct inclusion of actors and audience alike,” Vogel said of the work, Lynett’s play “exposes the many layers to the notion of race in order to awaken us.” ....

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Experiences transformed


Experiences transformed
A festival from Loud ‘N Unchained Co. will showcase the work and performances of Black theater artists
Dana Pellebon
T. S. Banks is directing a collection of spoken word pieces and monologues in the Loud N Unchained Black Theater Festival.
The LNU (Loud ’N Unchained) Black Theater Festival, which debuts on April 30, has been several years in the making. Producer Dana Pellebon says it feels long overdue.
“I was actually the last member added to the team,” Pellebon says in a recent interview. “But this idea aligned really well with my goals as a director, producer and artist. I’ve been working for a while to create a space to showcase Black theater artists.” ....

United States , United Kingdom , Doug Reed , Miranda Hawk , Sojourner Truth , Jasper Madison , Janine Gardner , George Floyd , Dana Pellebon , Irene Simon , Anthony Crawford , Aaleh Hughes , August Wilson , Harriet Tubman , Adrianna Shanklin , Sean Avery , Charles Edward Payne , Madison College , Arts Department , Gallatin School At New York University , Texas Tech University , Loudn Unchained Theater Co , Black Theater Festival , Broom Street , Theater Festival , Broom Street Theater ,

Play that explores racism after 'second Civil War' wins Yale Drama Prize


By Robert Pranzatelli
April 14, 2021
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The 2021 Yale Drama Series Prize, one of the theater world’s most prestigious awards for playwrights, has been awarded to Rachel Lynett for her play “Apologies to Lorraine Hansberry (You Too August Wilson).” The award recipient was chosen by Pulitzer Prize-winning playwright Paula Vogel.
Playwright Rachel Lynett
“Apologies to Lorraine Hansberry (You Too August Wilson)” is set in the fictional world of a post-second Civil War. Bronx Bay, an all-Black state (and neighborhood) is established in order to protect “Blackness.” As Jules’ new partner, Yael, moves into town, community members argue whether Yael, who is Dominican, can stay. Questions of safety and protection surround both Jules and Yael as the utopia of Bronx Bay confronts where the line is when it comes to defining who is Black and who gets left out ....

United States , Francine Horn , Janine Nabers , Liliana Padilla , Barbara Seyda , John Austin Connolly , Rachel Lynette , Molly Bicks , Paula Vogel , Jen Silverman , Francisco Mendoza , Jacqueline Goldfinger , Neil Wechsler , Frances Ya Chu Cowhig , August Wilson , David Charles Horn , Emily Schwend , Lorraine Hansberry , Yale University , David Charles Horn Foundation , Alfred University , Rachel Lynett Theatre Company , Yale University Press , Drama Series Prize , Rachel Lynett , Too August Wilson ,

Arkansas playwright Rachel Lynett wins 2021 Yale Drama Prize


Arkansas playwright Rachel Lynett wins 2021 Yale Drama Prize
Arkansas playwright Rachel Lynett wins 2021 Yale Drama Prize
Rachel Lynett
“I write plays about complicated, complex women of color. These women are neither saints or villains; they’re eternally both.”
That’s how
Rachel Lynett’s artist statement begins. From Playbill comes news that one of Lynett’s plays, “Apologies to Lorraine Hansberry (You Too August Wilson)” is the winner of the 2021 Yale Drama Prize, selected this year by Pulitzer winner Paula Vogel.
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JULES
Alright. Damn. Please continue to take your time.
White folx call what I’m about to do “exposition.” But the Black folx in the audience know I’m about to preach. The world you’re about to see ain’t yours. It’s not a parallel universe, it’s not alternate reality. It’s something else. It lives in the imagination of every person of color in this room. ....

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