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The Story Behind TIME's World's 100 Greatest Places Cover

The Story Behind TIME's World's 100 Greatest Places Cover
msn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from msn.com Daily Mail and Mail on Sunday newspapers.

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The Magnificent World of Miniature Books

The Magnificent World of Miniature Books
bl.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bl.uk Daily Mail and Mail on Sunday newspapers.

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Ted Coney's work on show at Ely Arts Festival

Ted Coney's work on show at Ely Arts Festival
elystandard.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from elystandard.co.uk Daily Mail and Mail on Sunday newspapers.

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EXHIBITION Organic eye-openers | Morning Star

Spike Island, Bristol
VERONICA RYAN is an outsider by circumstance as much as by choice. Born in Montserrat, she came to Britain as a child as part of the Windrush exodus.
When at the Bath Academy of Art, Ryan was the only black student for the first two years of her course. In a new environment, she would be noticed first and foremost for the colour of her skin and this would cause her considerable anxiety.
As she does now, she understood then that separateness is both sovereignty and independence and has resolutely resisted being pigeonholed.
Ryan’s visual sensibilities and the aesthetic idiom adopted for the free exhibition Along a Spectrum is a distillation of memories and contemporary experiences, as well as inherited narratives such as the history and culture of the Caribs of Alliouagana, the name of Montserrat before the calamitous arrival of Europeans. ....

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Veronica Ryan: 'I don't know anyone who makes art for art's sake'

Ryan, at work at Spike Island, uses myriad materials, from bronze and clay to fruit skins and tea bags
© Max McClure
Veronica Ryan was born in Plymouth on the Caribbean island of Montserrat in 1956, but her family moved to the UK when she was an infant. She now lives between Hertfordshire in the UK and New York. Her sculpture evades easy categorisation: it is non-figurative but associative, combining personal and cultural references while drawing on a wide variety of materials and techniques.
Over the years Ryan has worked with tropical fruit, feathers and dust, dyeing and embroidering a wide variety of fabrics, carving marble, stitching together fruit skins, casting in plaster, bronze and clay, crocheting fishing lines and arranging found and fabricated objects on industrial storage shelving. After a number of high-profile shows in the 1980s and early 1990s, she went off the art world radar “I think there was a sense that making abstract work wa ....

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