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This 100,000-Piece LEGO City Belongs In a Museum This 100,000-Piece LEGO City Belongs In a Museum Ekow Nimako Ekow Nimako Ekow Nimako s 2019 work “Kumbi Saleh 3020 CE” is the Toronto-based artist s most ambitious cityscape to date. Constructed from 100,000 sleek black LEGO pieces, the Afrofuturistic metropolis reimagines the capital city of the ancient Ghanaian empire. Building on historical scholarship, cultural symbolism, and a long-standing love for LEGO, Nimako s 30-square-foot sculpture catapults the medieval city into the year 3020. Here, he imagines an “uncooped narrative of Black civilizations.” In his artist statement, Nimako explains that his work “seeks to reclaim histories, reconcile ancestral traumas and imagine liberated futures for all African peoples.” ....
Massive Lego creation joins Aga Khan Museum’s collection Made of 100,000 Lego pieces, the sculpture is an Afrofuturist reimagining of an ancient West African trade hub By Julia Mastroianni Courtesy of Aga Khan Museum The 30-square-foot sculpture of 100,000 Lego pieces will be a permanent part of Aga Khan Museum s collection. A sculpture made of approximately 100,000 Lego pieces by Toronto artist Ekow Nimako is the newest edition to Aga Khan Museum’s permanent collection. The sculpture, titled Kumbi Saleh 3020 CE, is Nimako’s Afrofuturist reimagining of a West Saharan trade hub. It was originally the centrepiece for the Building Black: Civilizations exhibition the museum commissioned Nimako to create. ....
Although the museum has remained closed since November, the sculpture is set to go on display when Aga Khan reopens later this year. Museum curator Michael Chagnon said that Nimako being a Toronto-based artist was absolutely critical to their decision to acquire the piece. Since our opening in 2014, the Museum has been proud to serve as a cultural hub for our immediate neighbourhood and the GTA, Chagnon explained to blogTO. An important part of that work has been to collaborate with local artists and to highlight the global significance of their practices. Ekow s sculptures, and particularly Kumbi Saleh, speak in a fundamental way to the question of identity and history, to the need for expanding dialogue across perceived cultural divisions, to the importance of listening intently one another. That sort of vision in turn helps us tell stories of global relevance. ....