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Things to Do: Film, comedy, goat yoga and art
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Things to Do: Film, comedy, goat yoga and art
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RIGID, ASHEN, AND CAMOUFLAGED against backgrounds intricately rendered in fifty shades of greige, characters throughout Roy Andersson’s 2014 A Pigeon Sat on a Branch Reflecting on Existence repeat the line “I’m happy to hear you’re doing fine.” Paired with the likes of a tortured, electrode-bound lab monkey and a man in an office on the brink of suicide not to mention the entire film’s haunting by one Boschian vision of colonial terror this recurring utterance becomes a searingly insipid punch line. Andersson, in Pigeon and the other two films in his “Living Trilogy,” depicts the symbiosis of
Swedish
comedy A Pigeon Sat on a Branch Reflecting On Existence has a very
particular style of deadpan humor and an equally specific morbid sense of
empathy. As in his previous two films, writer/director Roy Andersson
( Songs from the Second Floor, You, The Living ) presents
several thematically-united sketches of life as it s experienced by the meek,
and the suffering, two groups of people who are (according to Andersson’s films) doomed to
inherit nothing. A Pigeon Sat on a Branch Reflecting on Existence
is, in that sense, a kind of alarmist comedy. It’s a series of comedic sketches about
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