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“A number of years have passed since the Arboretum welcomed spring with a sculpture showcase of this magnitude,” says Clara Curtis, Senior Director for Mission Delivery. “We are pleased to present this body of work in our gardens in an effort to enrich and stimulate thought and imagination. The creative process and working with each artist in Wild Art has been a joy.” Each of the pieces featured in this juried exhibition displays the artists’ reflections on the natural world and wildlife and offers gateways into the surrounding landscape, according to Exhibits Curator Ashlee Lanier. “We wanted the pieces to give guests another way to contemplate the environment both here at the Arboretum and in the world at large,” Lanier says. “In some ways, these sculptures just feel like they interweave with the gardens here and invite people to explore.” ....
BREAD LOAF INN, 1895. Images courtesy of the Collection of the Henry Sheldon Museum From the Sheldon Museum Archives: Last year we published several articles about remarkable local women in recognition of the 100th anniversary of the passage of the 19th Amendment to the Constitution, which granted most American women the right to vote. In this two-part series, we focus on two amazing women who challenged the status quo of late nineteenth-century life. Their stories offer just a glimpse of what is hidden in our archives. This is the second article published in this series. Read the first here. Central to the stories of both Sophonisba and W.C.P Breckinridge, but absent from our archive, like so many others, is Madeleine Pollard. Born in 1866 the same year as Sophonisba Pollard had similar ambitions for public life, but few opportunities. Like Sophonisba, she excelled in school, where she was lauded as a promising writer, but her humble background forced her to ....