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This generation of people who love liberation and humanity This generation of people who love liberation and humanity December 31, 2020 As capitalism continues to fail and white “supremacy” is under deep scrutiny, the lines of patriotism are blurred by the very essence of what it means to be for liberation and humanity, and the diversity of who defines it. Those issues are invoked in this artwork for the National Black Theatre/Hi-ARTS production of Liza Jessie Peterson’s one woman play “Peculiar Patriot.” Greetings and Solidarity, This generation of people who love liberation and humanity is making a magnificent effort to free us all from the chains of slavery. They have imagined a world that is free from the horrors of white male supremacy and patriarchy; and they are daring to make that world a reality. ....
In the autumn of 1974, one month shy of the publication of her new novel, Nobody’s Family Is Going to Change, Louise Fitzhugh pulled the emergency brake. Authors rarely invoke such a costly and disruptive eleventh-hour freeze, but Fitzhugh persuaded her publishers at Farrar, Straus and Giroux that her book about a Black family in New York City was incomplete. Stopping the presses is a rare request for any author, but for Fitzhugh, the forty-six-year-old writer of the wildly popular children’s book Harriet the Spy, it was a radical measure entirely in keeping with her practice of telling the truth about children. When Fitzhugh said that she wrote for kids in order to do something good in “this lousy world,” she meant, this misogynist, racist, and homophobic one. As a writer of books for young readers, Fitzhugh wasn’t interested in fairy tales. Nor did she want her newest novel to simply reflect reality, she wanted her readers to be confronted and shocked by ....