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Reviewed by Chris Webb
Chris Tomlin has sold a staggering 30 million albums worldwide and the last release for the Atlanta-based worship leader was, of course, a huge hit. So how could he follow that up? Should he change course and experiment musically or offer a continuation of a popular pop rock formula? The latter is the case and generally ploughs the same furrow as its Burning Lights predecessor. Like wearing a pair of old slippers, this album has an air of comfortable familiarity with relatively simple musical arrangements based around a predominantly light rock format. Greater commences with a gently thrumming bass line leading into the first outpouring of praise and sets the tone for the majority of the album. Waterfall is a vivid sound picture created by the interplay between spiky keyboard, lead guitar echoing the tune and then strong vocals in carillon, combining to provide an auditory Niagara of water slowing and then suddenly racing to tumble over a cliff s edge, c
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