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Christie's announces online-only auction of Old Master prints

Christie s announces online-only auction of Old Master prints
Albrecht Dürer (1471-1528), Adam and Eve, engraving (1504, estimate: £100,000-150,000). © Christie s Images Ltd 2021.
LONDON
.-Christies Old Master Prints online-only auction, open for bidding from 19 to 28 January 2021, offers a selection of fine and rare prints that span five centuries of European printmaking. The works presented range from a hand-coloured woodcut from the mid- to late-15th century by an anonymous German printmaker to an early-19th century French lithograph with watercolour by Carle Vernet. Albrecht Dürer is represented, in both woodcut and engraving, including a proof-impression of the Crucifixion from the Large Passion (circa 1498, estimate: £25,000-35,000) and two of his most iconic engravings: Adam and Eve (1504, estimate: £100,000-150,000) and Melencolia I (1514, estimate: £80,000- 120,000). Rembrandts Self-Portrait, wearing a soft Cap: full Face, Head only (circa 1634, e ....

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How did the Elephant get its Trunk?

It took millennia to find out.
‘In the High and Far off Times, the Elephant … had no trunk,’ wrote Rudyard Kipling. ‘He had just a blackish, bulgy nose, as big as a boot, that he could wriggle about from side to side.’ But there was one elephant’s child who was more curious than the rest. He wanted to know what the crocodile had for dinner. Since no one would tell him, he went down to the banks of the Limpopo to find out for himself. When he bent down to see, the crocodile bit his nose – and pulled until it was ‘nearly five feet long’. That, Kipling smiled, was how the elephant got its trunk. It’s a silly story, of course; but like all good tales, it contains a kernel of truth – or rather, the husk of a puzzle. ....

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