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As this riveting tour-de-force opens, the police already want to talk to the photographer Cass Neary about a mysterious death she was involved with previously, but before they can bring her in, Cass accepts a job offer from overseas and hops on a plane. In Helsinki, she authenticates a series of disturbing but stunning images taken by a famous fashion photographer who has cut himself off from the violent Nordic music scene where he first made his reputation. Paid off by her shady employer, she buys a one-way ticket to Reykjavik, in search of a lover from her own dark past. But when the fashion photographer s mutilated corpse is discovered back in Finland, Cass finds herself sucked into a vortex of ancient myth and betrayal, vengeance and serial murder, set against a bone-splintering soundtrack of black metal and the terrifying beauty of the sunless Icelandic wilderness. In this eagerly awaited sequel to the award-winning Generation Loss, Cass Neary finds her own worst fears confir ....
Graham Sleight (2015) by Francesca Myman Publishing lead-times being what they are, the extraordinary events of 2020 largely weren’t reflected in the books that came out in the year – or at least, not intentionally. I managed to read a good deal of thought-provoking SF and fantasy this year, but some books seemed even more relevant than expected because of the pandemic-shuttered world they emerged into. How posterity will view them – let alone how it’ll view the books that’ll doubtless follow about COVID itself – is a question for another day. Samit Basu’s Chosen Spirits (Simon & Schuster India) offered a picture of India that was, its author insisted, both a dystopia and less bad than some alternatives. It certainly dug into the country’s culture and how it might change under the pressures bearing down on it. ....
Available Dark: Chills, in more than one sense of the word Available Dark by Elizabeth Hand It’s been a few months since the events of Generation Loss, and Cass Neary, strapped for cash, has made a big mistake. In that previous book, she took pictures of someone’s death but told the police she wasn’t at the scene. She never meant to publish any of the photos. Whoops. So, with the police and the dead person’s son asking awkward questions, and Cass in need of money again, it seems like a great time to take a gig that will absent her from the country for a while. ....
I’ve always distrusted the notion of “comfort reading,” especially as it applies to our little corner of the swamp. After all, the very idea of horror fiction involves discomfort, and SF characteristically challenges our sense of the stability of everything from nations to our bodies to the planet itself. I suppose fantasy does leave room for endless retellings of familiar tales with familiar heroes, but the most memorable fantasies are those which subvert and question that very familiarity, like Lavie Tidhar’s recent deconstruction of Arthuriana in By Force Alone. But there’s another sort of comfort reading that has less to do with the tales than with the tellers, and no better examples can be found than two important new retrospective collections, ....
Generation Loss: A seductive brew of creepiness, melancholy, and weird religion Generation Loss by Elizabeth Hand Generation Loss (2007) is a Shirley Jackson Award winner and the first in CASS NEARY thriller series. Cass is a washed-up, alcoholic photographer who was briefly famous in the 1970s for her images of the punk scene. Now middle-aged, she’s struggling, and a friend offers her a job interviewing another photographer, Aphrodite Kamestos, who had her own heyday in the 50s and 60s and now lives reclusively on a remote Maine island. The job quickly proves to be harder than Cass expected. It’s much too cold for Cass’s New York wardrobe. The locals are aloof. People and cats have been mysteriously disappearing. And Aphrodite had no idea Cass was coming. Cass wants to leave, but circumstances keep her in Maine longer than she intended which positions her to solve the disappearances, if she can keep her own inner demons at least ....