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Website launched to address issues of rights and responsibilities of artistes in India
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SFCC: Southwest Monochromes – A Collection Of Black And White Photographs By Jim Wysong
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From its very inception, the practice of photography has been imbued with racialised prejudices and biases; to accept this as a fact is imperative in understanding the work that photographers of colour, such as those included in
Past Present Currents, an exhibition that opened at Cape Town’s Association for Visual Arts Gallery gallery in mid-April (closing at the end of May), do to reappropriate and subvert the photographic medium.
Before photography, image making was largely done by artists who would draw or paint what they saw. While some were extremely skilled at lifelike renderings, the invention of photography captured life in unprecedented accuracy.
outlookindia.com 2021-04-23T13:49:13+05:30
Curator Alka Pande of the Visual Arts Gallery of the India Habitat Centre, New Delhi, has written a book very close to her heart. On the acknowledgements page she writes, “This book is a divine gift. The belief in the divine has been ingrained in me ever since I can remember. It is the complete belief in the supreme energy that guides our lives the Adi Shakti.” This very personal belief finds focus in the image of the goddess, Shakti. Pande sets out to map all the 51 peethas, or the sacred spaces, where the goddess abides over four countries: India, Nepal, Bangladesh and Pakistan.