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Agency, Invention, and Likability: An Interview with Allie McFarland – PRISM international prismmagazine.ca - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from prismmagazine.ca Daily Mail and Mail on Sunday newspapers.
it was never going to be okay by jaye simpson is a moving collection of razor-sharp poems. Broken into four parts, part one opens with the speaker asking to be called sea glass, which is smooth, round, and beautiful. Glass is a recurring image throughout the collection, signifying both the potential to cut, and the potential to break. Indeed, simpson employs a beautiful breathy and broken line that dances across the page throughout the collection: i was & still am fragments & fissures (“nogojiwanong // peterborough”) There is a vulnerability throughout the collection that asks, cautiously, to be understood, seen, and to be loved: ....
Review by Rachel Narvey In Alison Clarke’s latest publication, Phillis (2020), Clarke cracks open time and form to craft a paean for the beloved eighteenth century poet, Phillis Wheatley. As a child, Phillis was taken from West Africa and sold into slavery. The couple that purchased her named her after the ship that had taken her to America. As Christina Sharpe writes in In the Wake: On Blackness and Being: “How does one mark someone for a space the ship who is already marked by it?” Clarke reworks the intentional amnesia of white supremacy, placing Phillis at the centre of both a rich cultural past of West African heritage, and a burgeoning future wherein her work imparts hope to the Black lives that follow hers. ....
INTRODUCTION As I’ve learned from my own experiences in the classroom both as a student and as an instructor, poetry is so often taught badly to us in grade school (if at all). I am, to this day, learning how to undo the myth of poetry being the work of certainty a perfect command of a subject, experience, event proclaimed through verse. This is obviously a byproduct of the ways in which the Western canon is taught: the work of “great masters” whose genius we are trained to admire and respect. But my immersion in queer and disability writing has taught me the value of ....