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'Approach Every Black Artist as a World-Maker': Art Historian Bridget Crooks on the Need for an Expansive Definition of Blackness

Bridget Cooks, author of "Exhibiting Blackness," steaks with Folasade Ologundudu about the changing field of Black art history. ....

United States , New York , University Of Rochester , African American Museum , Museum Of Modern Art , Metropolitan Museum Of Art , Sean Zanni Patrick Mcmullan , Palmer Hayden , Rujeko Hockley , Romare Bearden , Alain Locke , Cory Clark Nurphoto , Louise Dahl Wolfe , Deborah Willis , Johnh Sengstacke , Richard Doty , William Edmondson , Lowery Stokes Sims , Harry Henderson , Anthony Barboza Getty , Richardj Powell , Robert Abbott Sengstacke Getty , David Driskell , University Of California , Holdings Inc , Museum Of Science ,

'Approach Every Black Artist as a World-Maker': Art Historian Bridget Cooks on the Need for an Expansive Definition of Blackness

Bridget R. Cooks. (Photo by Evelina Pentchev.)
This article is part of a series of conversations with scholars engaged with Black art for Black History Month. See also Folasade Ologundudu’s interviews with Richard J. Powell, Darby English, and Sarah Lewis.

In her much-discussed 2011 book,
Exhibiting Blackness: African Americans and the American Art Museum, Cooks looked at the ways that museums have perpetuated racial inequity through the presentation and curation of African American and African diaspora artists. Her account started with the very first show in America featuring African American artists, at the Art Institute of Chicago in 1927, and continued into the 21st century with the reception of figures including the Gee’s Bend quilters. ....

United States , New York , University Of Rochester , African American Museum , Museum Of Modern Art , Metropolitan Museum Of Art , Sean Zanni Patrick Mcmullan , Palmer Hayden , Rujeko Hockley , Romare Bearden , Alain Locke , Cory Clark Nurphoto , Louise Dahl Wolfe , Deborah Willis , Johnh Sengstacke , Richard Doty , William Edmondson , Lowery Stokes Sims , Harry Henderson , Anthony Barboza Getty , Richardj Powell , Robert Abbott Sengstacke Getty , David Driskell , University Of California , Holdings Inc , Museum Of Science ,

The 1970s Photographers Who Made Poetic Visions of Black Life

Reviews - January 14, 2021
In 2016, on the occasion of an exhibition of the photographs of Louis Draper at Steven Kasher Gallery, Hyperallergic critic John Yau asked, “Does the Museum of Modern Art Even Know about This Great Photographer?” Apparently, they didn’t. Although Draper, who had died in 2002, was a prominent Black photographer and one-time president of the Kamoinge Workshop, there was little evidence that New York’s august Museum of Modern Art (MoMA) had paid much attention. MoMA’s communications director tersely informed Yau that the museum did, indeed, own photographs by Draper and other members of the Kamoinge Workshop. But they had been consigned to what was unceremoniously called the “study collection” work deemed “not appropriate for acquisition to the Collection.” ....

New York , United States , Museum Of Modern Art , Palmers Crossing , Whitney Museum Of American Art , Herbert Randall , Warrenb Kanders , Draper John Henry , Daniel Dawson , Roy Decarava , Ming Smith , George Floyd , Beuford Smith , Emmett Till , John Yau , Pan Africanist Kamoinge , Herb Robinson , Langston Hughes , Sarah Eckhardt , Calvin Wilson , Garry Winogrand , Diane Arbus , Fannie Lou Hamer , W Eugene Smith , Nelld Winston , Shawn Walker ,