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'Policing, Performance and Question of Reform'


Date Time
‘Policing, Performance and Question of Reform’
Hosted by the Cynthia Woods Mitchell Center for the Arts, “Policing, Performance and the Question of Reform,” will feature a discussion between artist Shaun Leonardo and UH Chief of Police Caeser Moore and moderated by Janice Bond, deputy director of the Contemporary Art Museum Houston.
University of Houston Chief of Police Ceaser Moore will join interdisciplinary artist Shaun Leonardo to discuss the perception and practice of policing and how art, dialogue and engagement can impact its future. 
Hosted by the Cynthia Woods Mitchell Center for the Arts, “Policing, Performance and the Question of Reform,” will be held at 3 p.m., Thursday, May 20 via livestream. The event is open to the public. Click here to watch on YouTube. ....

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The Future of Monumentality: What is Monumentality?


January 27, 2021
Join Next City for the first of two virtual conversations in our series, “The Future of Monumentality,” as we examine the past, present, and future of public monuments from the unique intersection of art, design, and urbanism. The speaker series, moderated by New York Times critic Salamishah Tillet, is co-presented in partnership with the High Line.
In 2020 communities around the world protested the institutional racism of police violence toward Black, Latinx, and Indigenous people the same people who have experienced disproportionately devastating health effects and economic hardship during the COVID-19 pandemic. Among the most powerful symbols engaged by these protests has been the removal and defacing of monuments, as well as their use as focal points and backdrops for rallies, speeches, performances, and collections of protest signs. And as the disturbing insurrection in Washington, D.C., has shown, white supremacists continue to wield and deface m ....

Sao Paulo , New York , United States , Smithsonian Institution , District Of Columbia , North Carolina , United Kingdom , City Of New York , Mexico City , Distrito Federal , Duke University , Soult Ukpyolsi , South Korea , Rio De Janeiro , Estado Do Rio , Museo Jumex , Annie Hubbard , Steve Ells , Douglas Oliver , Sherry Brous , Shelley Fox Aarons , Christine Hall , Salamishah Tillet , Stefan Gargiulo , Galeria Nara Roesler , David Viniar ,

Walter Storms Galerie opens an exhibition of works by Nathan Randall Green


Walter Storms Galerie opens an exhibition of works by Nathan Randall Green
Nathan Randall Green, E.C.U.M.2, 2020, Acrylic paint, gesso on canvas, wrapped around a wooden panel, 91 cm x 122 cm. Photo: Adam Reich.
MUNICH
.- Texas-born Nathan Randall Green is showing his typical paper-pulp paintings for the first time in Europe in a major solo exhibition called Through Triple Darkness .
Nathan Randall Greens distinctive geometric hard-edge style is based on his keen cosmological interest and research, e.g. at the McDonald Observatory in Fort Davis, Texas. At first glance, his paintings seem like angular abstractions full of triangles in vivid colors. On closer inspection, the composite elements begin to form a space of varying depth. The many materials used, such as acrylic, scraps of canvas, cardboard, synthetics with paper pulp on organically shaped wooden panels and their layers create a complicatedly structured surface that indicates the intense process of th ....

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