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February 22, 2021
The documentary makes the case the hardcore punk belongs alongside Detroit’s better-known musical exports. // Film poster courtesy of Otto Buj
Otto Buj’s documentary
Dope, Hookers and Pavement: The Real and Imagined History of Detroit Hardcore starts with a series of interviews that all but say the music wasn’t that important. It may seem odd to undercut a core element of the scene you’re documenting — in this case, the speedy, harsh style of punk known as hardcore — but director Buj has a reasonable explanation.
“To me, the relevance of the story is less about the music and more about how these kids pulled together from all over southeast Michigan and Windsor to build their scene/community and an environment to create their music when one didn’t exist for them,” Buj says. “As Ian MacKaye [of Washington, D.C.’s Minor Threat and later Fugazi] says at the conclusion of the film, the ‘music ....

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