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Rayyane Tabet Solo Exhibition Showcases Artist s Most Ambitious Project to Date in UAE
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Unsettled Objects: Rarely Seen Works from Sharjah Art Foundation Collection
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Sharjah Art Foundation Announces March 2021 Art Talks and Events
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Sharjah Art Foundation convenes March Meeting, launches SB15
04 Mar 2021
Muhammad Yusuf,
Features Writer
March Meeting 2021 (MM 2021), the annual Sharjah Art Foundation convening of artists, curators and art practitioners to explore critical issues in contemporary art, returns as an expanded 10-day, hybrid on-site and online programme (Mar. 12 – 21). Examining the 30-year history of the Sharjah Biennial and the future of the biennial model through panels, lectures and performances, March Meeting 2021: Unravelling the Present, serves as the launch of Sharjah Biennial 15: Thinking Historically in the Present, which was conceived by the late Okwui Enwezor (1963–2019) and is curated by Sharjah Art Foundation (SAF) Director Hoor Al Qasimi, alongside the Sharjah Biennial (SB15) Working Group and Advisory Committee, opening 2022.
The word that stayed with me the longest after seeing Zarina Bhimji’s exhibition
Black Pocket was the one that I couldn’t read. It hovered in the middle of a handwritten letter an excerpt of which had been photographed, blown up, and hung high above our heads at her recent solo show at the Sharjah Art Foundation, United Arab Emirates. The phrase “the Abolition of Negro … in his Domain” and the dates “1857, 58 & …” were clear, but in between them, the meaning of a word that resembled “Risirial,” or perhaps “Virinial,” remained just out of reach. It is often the unknown that haunts us the most: the things we cannot decipher, the things we long to learn, and the things we cannot bring ourselves to confront. The elusiveness and ambiguity of this photograph extended to the installation in which it appeared,