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Is the Marshall Law Band Bringing Home a Pulitzer? We'll Know on June 11

On a dusky Saturday evening under the roof of the cavernous hangar at the Museum of Flight, the Marshall Law Band's frontman Marshall Hugh descended the stairs from the world’s first Boeing 747 with Big Rapper Energy. He wore aviator shades with a third eye lens preening on his forehead and joined a stage crowded with keyboard, saxophone, six-string bass, drums, guitar, and two more vocalists. Over the next hour and change, the normally six-piece. ....

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How Seattle's storied rock scene is shattering the genre's white male image


How Seattle’s storied rock scene is shattering the genre’s white male image
By Michael Rietmulder, The Seattle Times
Published: May 31, 2021, 6:05am
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SEATTLE Rock ‘n’ Roll has a complicated history. Like nearly every form of American music, it was created by Black artists. Yet, Black artists have often been made to feel unwelcome in the genre or had their contributions erased.
White men in particular have been overrepresented (to put it mildly) in almost every corner of what was the world’s most popular genre for generations. For years, it was and in many circles, still is all too common to attend a rock show and see three bands, each made up of white dudes with guitars. ....

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How Seattle's storied rock scene is shattering the genre's white male image


SEATTLE — Rock ‘n’ Roll has a complicated history. Like nearly every form of American music, it was created by Black artists. Yet, Black artists have often been made to feel unwelcome in the genre or had their contributions erased.
White men in particular have been overrepresented (to put it mildly) in almost every corner of what was the world’s most popular genre for generations. For years, it was — and in many circles, still is — all too common to attend a rock show and see three bands, each made up of white dudes with guitars.
Seattle, historically, is no exception. ....

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A Surreal Night at Seattle's First Music Venue to Reopen


It is little surprise that the Little Red Hen returned first; it is a twanging anomaly in the neighborhood, a country bar in an indie city, a squat and aging building across the street from a new mixed-use compound that contains, among other things, a day spa, a Pure Barre studio, a PCC, and a farm-to-table restaurant. At the Hen, the special scrawled on a board is a pound of rib-eye for $19.99—with either fries or salad. Previously its dance floor hosted boot-shod line dances nightly, the city’s oldest honky tonk. Tonight the floor is dancerless, a vacant space given over to a few tables—me at one, the ponytailed guy and the woman with him at another. Nearby a sheet of paper stuck to a post declares: “No Dancing.” Around the room sit other customers, mostly lone men scattered about. A few groups in booths. A couple more guys in back, watching baseball on TV. The place smells less like a deep fryer than I’d expect, more like cleaning products. ....

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