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Flying Lotus on the personal stakes of Yasuke's soundtrack and songs


The career of Stephen Ellison, the director, producer, and EDM polymath better known by his fans as Flying Lotus, has taken an exciting turn in recent years. The award-winning musician has parlayed his success as recording artist to produce music and scores for a medium he’s particularly passionate about: anime.
As the co-producer and composer for
Yasuke, the LeSean Thomas-helmed Netflix anime inspired by the real-life story of an 16th Century African servant who became Japan’s first foreign-born samurai, Flying Lotus has outdone himself in crafting the series’ musical signature, transmuting his characteristic sound of vibrant cosmic jazz, glitchy synth-electronica, and melodic melancholia into a score that stands as distinct work in his own discography and in the range of musical composition for anime. ....

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Yasuke review: A Black samurai anime that delivers on a bigger promise


Cannon Busters creator LaSean Thomas and Netflix, I thought of the scene in
Moonlight where Mahershala Ali’s Juan tells young Chiron that there will always be Black people everywhere, and because of that, nothing is impossible or beyond him.
Yasuke, which stars LaKeith Stanfield as the first Black samurai,
feels like an embodiment of that statement
even in feudal Japan, there is a warrior who looks like Chiron. The series introduces audiences to an unapologetically Black protagonist whose history and personality hearkens to the expansive multiplicity of the Black experience as a whole.
It’s just as significant that this story has manifested through anime. Japan’s animated exports are beloved by Black audiences, but only a precious few series and films that portray Black people or Black life have been able to avoid regressive characterizations. As a Black-led Japanese anime production focused on a multi-dimensional, drawn-from-history protagonist, ....

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