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How Do You Create Art In A Pandemic?

As Phunk enters its 25th year, the strength of this collective still remains steadfast and strong. “We learned through our ups and downs, and we also had our pivotal moments where we argued,” says Tan. “But we’re also able to catch each other’s thoughts quite well. Before we speak, we can sort of pre-empt what the other person will say; thus we can also pre-empt how we work with each other in a harmonious sense.” Besides launching an exhibition and an exclusive robot collection at The Artling in celebration of their 25th anniversary, the homegrown design collective has also released a monograph that offers an arresting insight into Phunk’s works over the years. Authored by Justin Zhuang, a local design writer and researcher, the book allows readers to gaze into Phunk’s perspective via their works and in-depth interviews.  

Singapore collective Phunk s art of design feted by London publisher Thames & Hudson

The Straits Times Singapore collective Phunk s art of design feted by London publisher Thames & Hudson (From left) Alvin Tan, Jackson Tan and William Chan at the SEA Focus art fair in Alexandra Distripark.ST PHOTO: MARK CHEONG New: Gift this subscriber-only story to your friends and family https://str.sg/JVqj They can read the article in full after signing up for a free account. Share link: Or share via: Sign up or log in to read this article in full Sign up All done! This article is now fully available for you Read now Get unlimited access to all stories at $0.99/month for the first 3 months.

S E A Focus Connects Southeast Asia With Hybrid Format

Left to right: Rirkrit Tiravanija, untitled 2016 (nothing) (2016); Tobias Rehberger, Mother without child 3 (2019): Kristoffer Ardeña, Ghost Painting (Cracked Category): National Bookstore (2020). Exhibition view: hyper–horizon, S.E.A. Focus 2021, Tanjong Pagar Distripark, Singapore (22–31 January 2021). Courtesy S.E.A Focus. Photo: Toni Cuhadi. With the aim to spark new connections between works of art from Southeast Asia , the presentation is accessible online with S.E.A. Focus Digital and physically at the S.E.A. Focus Curated showcase, titled hyper–horizon, presented at the warehouse complex Tanjong Pagar Distripark. This year s edition eschews a traditional booth structure for a fluid design by Randy Chan of Zarch Collaboratives to offer a borderless experience , reflecting Singapore s position as a crucial hub for the region s art scene.

How Phunk pioneered a riotous clash of art and design in Singapore

How Phunk pioneered a riotous clash of art and design in Singapore New book Control Chaos looks back on 25 years of Phunk – the Singapore design collective that mashed creative disciplines together with its eye-popping work 14/01/2021 8:55 am The monograph – named after a 2003 artwork – looks back on the early days of the studio, which was launched around the same time that the Apple Macintosh and software such as Adobe Illustrator were beginning to be widely used. Phunk began life in 1994 as a streetwear label selling T-shirts covered with digitally illustrated imagery, but soon also made a name for themselves via their Guerrilla Fonts foundry. Later Phunk launched magazines and websites, landed work doing moving graphics for MTV, and other multimedia commissions for brands such as Levi’s and Casio – often mixing disparate styles and influences in joyous fashion.

New book from Thames & Hudson celebrates twenty-five years of PHUNK

New book from Thames & Hudson celebrates twenty-five years of PHUNK From the Bottom of my Pencil Case At 8Q-Rate: School exhibition, 8Q Singapore Art Museum, Singapore, 2008 © 8Q SAM, Singapore Art Museum, Singapore. LONDON .- Celebrating twenty-five years of PHUNK, this monographtraces the ways in which the Singapore-based collective has mixed urban street culture, art and design to create a unique body of work. PHUNK is an internationally acclaimed, Singapore-based contemporary design and art collective. Founded in 1994 by Alvin Tan, Melvin Chee, Jackson Tan and William Chan when they were students at Lasalle College of the Arts, they developed a novel approach to collective art-making based on the collaborative aesthetic of a rock-and roll band and informed by a shared interest in urban subcultures.

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