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30 Black Women Trailblazing Visual Representation and Racial Justice

30 Black Women Trailblazing Visual Representation and Racial Justice
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.

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LaToya Ruby Frazier, American Witness

LaToya Ruby Frazier, American Witness
https://www.nytimes.com/2021/03/01/t-magazine/latoya-ruby-frazier-photography.html
LaToya Ruby Frazier, American Witness
A marriage of art and activism, the artist’s searing photographs reveal the human toll of economic injustice.
LaToya Ruby Frazier in her Chicago studio, photographed on Dec. 28, 2020.Credit.Naima Green
By Zoë Lescaze
Published March 1, 2021Updated March 4, 2021
WHEN GENERAL MOTORS announced plans to slash its domestic work force in 2018, company stock soared 5 percent. LaToya Ruby Frazier, a Chicago-based artist whose photographs and videos champion unsung members of the working class, was furious. She decided to embark upon a new series devoted to the autoworkers who were contending with the possible loss of their plant in Lordstown, Ohio; they would be the subject of an upcoming exhibition and a published photo essay. But before any of that could happen, the workers had to agree to let her in ....

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UCSB Arts & Lectures Presents LaToya Ruby Frazier — Using Photography for Social Change

Housing and Development Newsletter
Tickets to Frazier s talk are $10 for the general public, and free for UCSB students (registration required). For tickets and more information, call UCSB Arts & Lectures, 805-893-3535 or visit www.ArtsAndLectures.UCSB.edu.
Treating art as activism, Frazier’s body of work includes The Last Cruze, which documents the devastating effects of a GM plant closure in Lordstown, Ohio; a chronicle of the ongoing water crisis in Flint, Michigan, for Elle Magazine; and an aerial photography series depicting Memphis, Baltimore and Chicago in The Atlantic’s Martin Luther King issue.
For “Flint is Family,” “Frazier spent five months with a family encompassing three generations of women, chronicling daily life at the heart of a man-made ecological disaster. The project was a natural extension of her already well-established commitment to social justice,” The New York Times reported, noting Frazier donated the proceeds from her exhibit ....

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