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A recent social-economic study by Accenture revealed MultiChoice Kenya has contributed over Kshs57.3 billion in socio-economic value to the country’s economy from 2015 to 2019. ....
SXSW Film 2021: Reviews of 'The Fallout,' 'Recovery,' more festival movies austin360.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from austin360.com Daily Mail and Mail on Sunday newspapers.
Broadcast Signal Intrusion SXSW 2021 Film Review: Tech Noir gizmodo.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gizmodo.com Daily Mail and Mail on Sunday newspapers.
Broadcast Signal Intrusion Watching Jacob Gentry’s Broadcast Signal Intrusion is similar to following yarn pulled across a bulletin board. From one clue to another, the film shoots through the mystery of an unsettling pirate broadcast – pushing pins in different places where answers might be. Are those answers real? Maybe, but the truth gets murky in rabbit holes. But the paranoia and obsession on display from James (Harry Shum Jr.), a video archivist caught up in the film’s conspiracy, is clear. The film is set in 1999-era Chicago, with much of period-setting coming from the outdated tech decorating James’ apartment and life. He’s stuck rewinding through the past – transferring tapes to CD for work with his wife’s death a recurring VCR whine underneath. Harry Shum Jr. plays the character with a haunted air, grief repressed into the hardest of emotional walls to protect himself. That is, until he becomes consumed with finding the creator of a series ....
Jacob Gentry‘s evolution as a filmmaker remains fixated on electromagnetic waves (outside MTV’s My Super Psycho Sweet 16 franchise) in the SXSW premiere Broadcast Signal Intrusion. It’s a clash of science fiction imagery and novice sleuthing, as Possessor-reminiscent masked interruptions splice between ’90s television programming until narrative beats transform into something more tensely true crime. At the core of Phil Drinkwater and Tim Woodall‘s screenplay? A ponderous assessment of media corruption and fame-chasing criminals. However, their means of subgenre hybridization sometimes fails the overall intrigue of a widower’s grief-sullen inquisition. There are camcorder moments that unsettle, almost as ....