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Proyectos Monclova opens an exhibition of works by Verónica Gerber Bicecci Verónica Gerber Bicecci, Descalzos los pies, los campos en ellos, sentiré al acreedor de la tierra en mis plantas desnudas, Proyectos Monclova, Mexico City, 2021. Courtesy: the artist and Proyectos Monclova. Photo: Ramiro Chaves. MEXICO CITY .- Verónica Gerber Bicecci (Mexico City, 1981) auto-classifies herself as a “visual artist that writes” since a work is categorized by the tension between the visual and the literary. This exhibition, Descalzos los pies, los campos en ellos, sentiré al acreedor de la tierra en mis plantas desnudas (Barefoot feet, the fields in them, I will feel the creditor of the land on my bare soles) reunited five projects that dialogue with rewriting, the voices of the past and translation. Gerber Bicecci considers the question over and over again about the accumulation, in all the possible translations, including here that exerted by the passage of time and the attraction

Mexico cityDistrito federalCity ofUnited kingdomTower hamletsManuel felguGerber bicecciChristina macsweeneyCristina rivera garzaMuseum of abstract artPhotographic production seminar of the image centerNational system of art creatorsEmpty setLaura estradaAbstract artWhitechapel gallery