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What is your name and your current occupation? Mark Mayerson. I’m currently the coordinator of the Bachelor of Animation program at Sheridan College in Ontario, Canada. What are some of the crazier jobs you had before getting into animation? I was a messenger, photocopier and proofreader for a corporate law firm on Wall St.
What are some of your favorite projects you’re proud to have been a part of? I worked on a series of TV specials for HBO and PBS produced by Michael Sporn. One of them was Mike Mulligan and His Steam Shovel and I animated about a quarter of the film. I was an animator on Captain Power and the Soldiers of the Future, which was the first TV series to include cgi characters. I created a TV series called Monster By Mistake and worked on it as a director, writer and producer. ....
Saturday Evening Post covers pop in Swann Illustration Sale Ruth Eastman, Hitting the Links of Palm Beach, proposed cover for The Saturday Evening Post, gouache, circa mid-1920s. Sold for $11,875, a record for the artist. NEW YORK, NY .-Swann Galleries opened the winter/spring 2021 season with a robust sale of Illustration Art. The auction saw record prices for several works, as well as auction debuts from artists. Original artwork from the collection of Richard Dick McDonough brought excitement from buyers, and covers for The Saturday Evening Post and The New Yorker, Sunday comics, and story illustrations sparked widespread interest. The Dick McDonough Collection of Golf Illustration, featured a selection of 63 golf and sports-themed works of art, including original illustrations and rare printed posters and graphics. Most notable was College Football by Joseph F. Kernan, which led the sale at $75,000, a record for Kernan. The 1932 oil-on-canvas served as ....
Scott Thomas Anderson December 31, 2020Updated: January 3, 2021, 5:25 pm Leon Schlesinger, the producer who created Warner Brothers’ “Looney Tunes,” meets Porky Pig in the 1940 short film “You Ought to Be in Pictures.” Photo: Cartoon Research , Cartoon Research In 1932, cinema screens were glowing with a Betty Boop cartoon called “I’ll Be Glad When You’re Dead, You Rascal You.” This animated dream of cannibalism debuted some of the first live-action footage ever of Louis Armstrong playing his trumpet, his crisp, quick solo rising to a clarion growl, his band bringing the swaggering swing that Betty starts moving her shoulders to. For a decade leading up to that moment, cartoons and jazz were each emerging as original but subversive American art forms. The two were often married on film because they shared dangerous tones and a pension for rule-breaking. With his new book “Wild Minds: The Artists and Rivalries that Inspired the Golden Ag ....