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The conductor transforming period performance The conductor Francois-Xavier Roth at the Philharmonie de Paris, June 15, 2021. Roth says that his ensemble, Les Siecles, shows that it has finally become possible for a single orchestra to perform “all the different repertoires on all the appropriate instruments.” Jonas Unger/The New York Times. by David Allen (NYT NEWS SERVICE) .- Think of the “period” or historically informed performance movement, and the mind probably turns to Monteverdi, Bach, Handel. The first advocates for performances on original instruments — post-World War II insurgents like Nikolaus Harnoncourt — concentrated their initial work on the Baroque and then Classical repertories, the music in which their findings were most audibly different compared with then-standard practices.

New yorkUnited statesFrance generalBaden wübergCity ofUnited kingdomSymphonie fantastiqueJohn eliot gardinerPles siNikolaus harnoncourtCharles munchHarmonia mundiTroy goodmanXavier rothGeorge benjaminPierre boulez