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The Courtauld unveils opening programme as major modernisation project reaches completion

The Courtauld unveils opening programme as major modernisation project reaches completion
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Take a Peek Inside the Courtauld Gallery s Splendorous Multimillion-Dollar Revamp Before It Opens to the Public

The Courtauld at Somerset House. Photo: Benedict Johnson. London’s Courtauld Gallery has completed work on a modernization project that has been underway since 2018. Today, June 9, the gallery revealed images of its revamped interiors at Somerset House ahead of its reopening in November. Architects Witherford Watson Mann have designed the redevelopment of the building originally completed by Sir William Chambers in the 1770s. The ambitious overhaul plan includes a renovation of the institution’s existing exhibition spaces, two new galleries to house temporary exhibitions, and improved accessibility. The project is supported with £11 million ($15.5 million) in public funding from the National Lottery Heritage Fund, as well as significant private funding, including a £10 million ($14.1 million) gift from the Ukraine-born British-American philanthropist Leonard Blavatnik.

London Design Biennale – how a forest in a courtyard is challenging the city s Enlightenment principles

The art director of this year’s London Design Biennale, Es Devlin, intends to challenge archaic design principles and highlight current climate concerns by planting 400 trees in the heart of the capital. Somerset House was built in line with the principles of the Enlightenment, an intellectual and philosophical movement in 17th and 18th century Europe. At the centre of this was a synthesis of scientific discovery and reason, the power by which humans understand the universe and improve their own condition. In architecture this was represented through neoclassicism – a style looking at the formal designs of the ancient Greeks and Romans while conforming to the rationality of science. In reaction to the floral excesses of the baroque and rococo, Enlightenment buildings were designed on the principles of simplicity, symmetry, mathematical precision and absolute functionality. In short, the defined, measurable restraint of science versus the indeterminate, unpredictability of nat

Cézanne, Kandinsky, Klee & Richter among major gift to the Courtauld

Cézanne, Kandinsky, Klee & Richter among major gift to the Courtauld Wassily Kandinsky, Untitled, 1916. Brush and India ink on paper, 15.8 x 23.4 cm. The Courtauld, London (Samuel Courtauld Trust) Gift by Linda Karshan in memory of her husband, Howard Karshan © Georg Baselitz. Photo © The Courtauld. LONDON .- An outstanding group of modern drawings by European and American masters assembled by the late collector Howard Karshan has been presented to The Courtauld Gallery in London by his wife, the artist Linda Karshan. It is one of the most significant gifts of art to The Courtauld in a generation. Living between London and New York, Howard and Linda formed a preeminent collection of modern drawings. Collecting with great discernment and passion, the drawings were an essential part of their lives for more than half a century. A carefully chosen group of 25 works on paper by leading artists of the modern and post-war period, which lay at the heart of their collection, forms th

Six abandoned and lost Dorset villages you never knew about

Six abandoned and lost Dorset villages you never knew about Dorset has a vast history spanning many centuries, with developments over the years changing the face of the county. While some towns grew in size due to more and more people settling in Dorset, other villages or settlements just became abandoned and were lost in time. These were later uncovered by historians or by archaeological digs.  Some villages were abandoned for varying reasons or were just simply destroyed. Not a lot is known about some of these lost Dorset villages, so there is limited information available.  Here are a number of lost Dorset villages that time has forgotten about. 

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