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Listen to this interview with Fil Corbitt. Noah Glick: Tell me a little about the show. What started you on this path? What’s the show about? Fil Corbitt: So, I made a podcast called Van Sounds for about six and a half years, and I just started seeing music journalism and seeing the practice of listening in a new way. [I] wanted to start a podcast that kind of reflected this new experience of listening. And [in] late 2019, I started the process of creating this new show called The Wind, and it just so happened that two months later, the pandemic hit and here we are. ....
Advertisement One of the incredible things about independent podcasting is the gem that you find from turning over a stone, or perhaps from picking up a handsaw abandoned in the snow and building a desk in the woods with it. If this sounds wildly specific, it’s because that’s the story behind The Wind, a podcast produced by Fil Corbitt on sound, listening, music, and the experience of audio, a podcast that they produced and recorded on that desk in the woods. “Time Flies,” the penultimate episode of the first season, is a letter-to-the-editor-style episode from writer Eleanor Tullock about Hermeto Pascoal, clocks, and the passage of time. It’s a weird, electric mix of Pascoal’s unique approach to instrumentalization and orchestration, including his recording of him singing with his mouth partially submerged in water, and Tullock’s visit to a clock repair shop backed by heavy pendulums. Bracketed by Corbitt’s brand of tongue-in-cheek humor and deep abiding ....