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Jumpers was a hit in 1972 and
Travesties a smash in 1974. In response to criticism that his plays were longer on intellect than emotion, he premiered the accessible romantic drama
The Real Thing in 1982.
When his spy thriller about quantum mechanics,
Hapgood, proved incomprehensible to audiences in the late 1980s, he doubled down on the science in his chaos-theory-themed
Arcadia of 1993, which was first inspired, implausibly enough, by James Gleick’s obituary for physicist Richard Feynman. It proved a thing of beauty, perhaps the greatest play in English since
Long Day’s Journey Into Night.
After numerous flops as a hired-gun screenwriter (the best being
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