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We Wanted to Unmoor Her From the 1950s : A Joan Mitchell Retrospective at SFMOMA Shows the Artist as You ve Never Seen Her Before

We Wanted to Unmoor Her From the 1950s : A Joan Mitchell Retrospective at SFMOMA Shows the Artist as You ve Never Seen Her Before
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Daylight Books publishes The Light at the End of History: Reacting to Nuclear Power by Abbey Hepner

Daylight Books publishes The Light at the End of History: Reacting to Nuclear Power by Abbey Hepner BOMB PULSE, “Bone Collection”, cyanotype on animal bones, variable dimensions, 2020. Photography © Abbey Hefner. NEW YORK, NY .- Hepner grew up between the Nevada Test Site and the Idaho National Laboratory, where the United States engaged in extensive nuclear testing and reactor experimentation. Fast forward to 2013, and she was living in Japan helping with disaster relief following the tsunami when earthquakes caused the Fukushima Daiichi nuclear disaster. She is a conceptual artist with a deft ability to pivot her messaging style and visual aesthetic to communicate directly or subvertly, analytically or emotionally. The result is a complex, multi-faceted book project examining the tangled history of nuclear energy, the atomic bomb, and radioactive waste.

Warhol Foundation Announces Fall 2020 Grant Recipients

Duane Linklater, The place I seek to go, 2014, coyote fur, garment rack, hanger, flatscreen TV, Mac Mini, HD video loop, cables, 132 x 66 x 20 . Photo: SITE Photography. Collection of Remai Modern, Saskatoon. Courtesy Catriona Jeffries, Vancouver. January 14, 2021 at 12:51pm The Andy Warhol Foundation for the Visual Arts has announced the fifty-one recipients of its fall 2020 grants, which total $3.9 million and are issued in support of visual arts programs, exhibitions, and curatorial research. Among the first-time grantees are several dedicated to creating opportunities for emerging and underrepresented artists and writers who identify as BIPOC, LGBTQIA+, and who are living with disabilities. These include Philadelphia’s BlackStar, which prioritizes opportunities for filmmakers and critics, and Chicago’s Sixty Inches from Center and New York’s Wendy’s Subway, both of which focus on innovative arts publishing and archiving practices.

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