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In her new memoir, Emily Rapp Black explains how the work and experiences of the Mexican artist helped her develop a better relationship with her body <br>
Yeehaw! Many of Colorado's annual summer events are restarting this weekend, but the more traditional lineup will be joined by a number of innovative entertainments that were forged during the pandemic.
WHEN: April 17-23
HOW: Register in advance for events and receive a reminder email with a link.
DETAILS: Events are free to view except those featuring Don Lemon, Richard Thompson and Brandi Carlile, which cost $5. Books available through partner booksellers. Questions can be submitted on registration. See Festival FAQ for more.
April 17
Festival of Books kickoff, presented with USC
Join us for the kickoff of the 26th annual Festival of Books featuring Dr. Carol L. Folt, USC president, along with surprise appearances by L.A. Times writers and a performance by the USC Trojan Marching Band. Please join in this prelude to the weeklong virtual celebration of books with conversations, panels, children’s and poetry readings and more! Times columnist Patt Morrison will host the event.
11 New Books We Recommend This Week
Feb. 11, 2021
Crime and punishment make their presence felt in this week’s recommended titles, from Russell Shorto’s family history of his grandfather’s mob ties (“Smalltime”) to Philippe Sands’s account of a Nazi fugitive (“The Ratline”); Maurice Chammah’s study of the death penalty and its decline (“Let the Lord Sort Them”) to Reuben Jonathan Miller’s look at the life that awaits ex-inmates (“Halfway Home”).
Also on our night stands this week: Ethan Zuckerman’s new book about the collapse of institutional authority (“Mistrust”), Emily Rapp Black’s memoir of motherhood and grief (“Sanctuary”), Jeremy Atherton Lin’s personal and cultural history (“Gay Bar”) and Avi Loeb’s argument that aliens visited the neighborhood in 2017 (“Extraterrestrial”). Finally, there’s Thomas Healy’s “Soul City,” about one man’s attempt to create a Black-run city in the 1970s; Charles Wheelan’s “We Came