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Where to begin with Douglas Sirk


Why this might not seem so easy
Depending on who you ask, Douglas Sirk was either a peddler of gaudy sentiment or one of the most stylish and slyly subversive directors to have worked in Hollywood’s golden age. One of many filmmaking émigrés who fled from Europe to California at the beginning of the Second World War, the German-born Sirk parted ways with his homeland after a brief and begrudging stint in Nazi-controlled UFA. Appropriately enough, his American debut was entitled Hitler’s Madman (1943).
Sirk had a particular affinity for what he called “dramas of swollen emotion”. He took a nigh-on operatic approach to cinematic melodrama, best exemplified in a cycle of ‘women’s weepies’ he made during the 1950s, the final decade of his career. These films were successful at the box office but, for the most part, critically reviled in their time. But as was the case for many of his fellow ‘low art’ contemporaries ....

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'It shook me to my core': 50 years of Carole King's Tapestry


Last modified on Fri 12 Feb 2021 04.44 EST
James Taylor
The singer-songwriter genre was named around 1970, give or take, and was said to apply to me and, among others Joni Mitchell, Cat Stevens and Jackson Browne. Why that supposed movement didn’t begin with Bob Dylan or even Woody Guthrie or Robert Johnson beats me – maybe they were still “folk”. But, if it means anything, Carole King deserves to be thought of as its epitome. I’d been deep into her songs – Up on the Roof, Natural Woman, Crying in the Rain – for a decade before Danny Kortchmar introduced us in Los Angeles in 1970. She played piano on my Sweet Baby James album while working on the songs for her own Tapestry. Our collaboration, our extended musical conversation over the next three or four years was really something wonderful. I’ve said it before, but Carole and I found we spoke the same language. Not just that we were both musicians but as if we shared a common ear, a parallel musical/emotion ....

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'All The Things That You Want To See In A Newborn Foal': First Foal Is A Colt For Airdrie Stud's Divisidero - Horse Racing News


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The first foal by Airdrie Stud s Divisidero: a colt out of Always Tomorrow.
Divisidero, a millionaire son of Kitten s Joy, was represented by his first reported foal, a colt born at Airdrie Stud.
The colt was produced by Always Tomorrow, a full-sister to six-time graded stakes winner Bigger Picture who set a track record when winning the Grade 1 United Nations Stakes. From the immediate family of the great matriarch, Blitey, Always Tomorrow s female family features no fewer than 24 Grade 1 performers under her first three dams.
“He s leggy and strong with good depth through the shoulder, all the things that you want to see in a newborn foal. We are very pleased”, said Cormac Breathnach, Airdrie s director of stallion nominations. “He is chestnut with two socks and a blaze, so you can really see the Kitten s Joy influence coming through. Mr. Jones is continuing to support Divisidero with some very nice mares and this is the kind of foal ....

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